plagal造句

• The participant is an auxiliary note, generally adjacent to the mediant in authentic modes and, in the plagal forms, coincident with the reciting tone of the corresponding authentic mode ( some modes have a second participant ).
• In the S黶smayr version, " Amen " is set as a plagal cadence with a Picardy third ( iv-I in D minor ) at the end of the Lacrymosa : the Andrews version uses the S黶smayr ending.
• The resulting progression is on the edge between tonal and modal, where the subtonic doesn't change back into a leading-tone, but the obtained cadence is suitable for tonality ( called plagal or backdoor ).
• Although the Latin names were not identical, there is some resemblance between the intonation formula of the echos plagios tetartos ?r ??? and the Latin name " Noeagis ", used as a general name for all four plagal tones.
• The first theme shifts from C minor to C major  another Schubertian feature, and contains many allusions to D-flat major, which finally becomes established in a climactic reference to the Adagio's characteristic plagal cadence.
• Carley cited examples like Nottamun Town ( La Pentatonic ), The Cherry-Tree Carol ( La Pentatonic, Plagal ), Pretty Saro ( So Pentatonic, Authentic ), and Shady Grove ( Re Pentatonic, Authentic ).
• The recapitulation only consists of the second and third themes, while the coda contains a final struggle until a B-major climax, eventually to recede into silent despair, ending in E-flat major with a minor plagal cadence.
• The "'Pro-Life Alliance of Gays and Lesbians "'( "'PLAGAL "') is a United States-based interest group opposed to legalized elective abortion and supportive of alternatives to abortion.
• In contemporary Latin manuscripts the modes are simply called Protus authentus / plagalis, Deuterus, Tritus and Tetrardus : the 1st mode, authentic or plagal, the 2nd mode etc . In the Roman Chantbooks the modes are indicated by Roman numerals.