alium造句

• {{ quote | eo quod sensu carent et ratione, non magis quam brutum animal iniuriam facere possunt nec feloniam, cum non multum distent a brutis, secundum quod videri poterit in minore, qui si alium interficeret in minori 鎡ate, iudicium non sustineret.
• The imitation pattern that begins " Spem in alium " is the same as that which begins this closing Agnus Dei in the Striggio mass, which has been seen as evidence that it was indeed this piece which Tallis heard in London in 1567.
• :" Per hunc . . . castissimum ante regiam iniuriam sanguinem iuro, vosque, di, testes facio me L . Tarquinium Superbum cum scelerata coniuge et omni liberorum stirpe ferro igni quacumque dehinc vi possim exsecuturum, nec illos nec alium quemquam regnare Romae passurum ."
• He made numerous recordings with the college choir . ( Among the most notable recordings was one of Thomas Tallis's " Spem in alium ", made in 1965 . ) The choir toured extensively, giving concerts worldwide, as well as garnering further acclaim internationally through television and radio appearances.
• In her " Forty Part Motet " she placed 40 speakers in 8 groups, each speaker playing a recording of one voice singing Thomas Tallis "'Spem in alium ", enabling the audience to walk through the space and " sample " individual voices of the polyphonic vocal music.
• The religious authorities in the beginning of Elizabeth's reign inclined towards Calvinism, which tended to discourage polyphony in church unless the words were clearly audible, or as the Lamentations ( of Jeremiah the Prophet ) " for the Holy Week services and the unique motet " Spem in alium " written for eight five-voice choirs.
• This claim was rejected by French jurists however, under the principle " Nemo plus juris ad alium transfere potest quam ipse habet " ( no one can transfer a greater right to another than he himself has ), and the throne was given to the male line heir, Philip, Count of Valois, a first cousin of the deceased king.
• There is some evidence that he may have had the music for either this piece or his 40 / 60 voice mass with him on his diplomatic visit to London in 1567, since Thomas Tallis seems to have been inspired and challenged by it, and shortly afterwards wrote his own 40-voice tour-de-force " Spem in alium ", commissioned by Thomas Howard, 4th Duke of Norfolk.
• Some other gigantic polychoral works from the same time include Thomas Tallis's famous and often-performed " Spem in alium nunquam habui ", for 40 voices, which may have been a response to hearing either the motet or the Mass in 1567; Stefano Rossetto's 50-voice motet " Consolamini popule meus "; and Cristofano Malvezzi's 30-voice intermedio for another Medici marriage, " O fortunato giorno ".
• IVCF was hosted by the Sydney University Musical Society in association with other university choirs including Macquarie University Singers, and the Music Society of the University of Technology ( Sydney ), and performed a concert of English works including Thomas Tallis'40-part motet " Spem in Alium " and Ralph Vaughan Williams "'Serenade to Music ", and one of Australian works including a commission from Anne Boyd ( see Promotion of Australian Composition below ).
• The Father is one, the Son is another, and the Spirit is another ( " dico alium esse patrem et alium filium et alium spiritum " " Adv . Praxeam ", ix ), and yet in defending the unity of God, he says the Son is not other ( " alius a patre filius non est ", " Adv . Prax . " 18 ) as a result of receiving a portion of the Father's substance.
• The Father is one, the Son is another, and the Spirit is another ( " dico alium esse patrem et alium filium et alium spiritum " " Adv . Praxeam ", ix ), and yet in defending the unity of God, he says the Son is not other ( " alius a patre filius non est ", " Adv . Prax . " 18 ) as a result of receiving a portion of the Father's substance.
• The Father is one, the Son is another, and the Spirit is another ( " dico alium esse patrem et alium filium et alium spiritum " " Adv . Praxeam ", ix ), and yet in defending the unity of God, he says the Son is not other ( " alius a patre filius non est ", " Adv . Prax . " 18 ) as a result of receiving a portion of the Father's substance.
• "Sed quanquam fere omne Tusci in suo turpiloquio sint obtusi, nunnullos vulgaris excellentiam cognovisse sentimus, scilicit Guidonem, Lapum, et unum alium, Florentinos et " Cynum Pistoriensem " ( . . . ) ( " Although most Tuscans are overwhelmed by their bad language, we judge that some have known the excellence of the vernacular, namely Guido, Lapo and another [ i . e : Dante himself ], all from Florence, and Cino da Pistoia ".