cacciato造句

• Paul Berlin's narrative jumps from his current situation to a ( possibly ) imaginary observation post where he is on guard duty, to another imaginary trip from Vietnam to Paris, chasing a deserter named Cacciato.
• "Going After Cacciato " is filled with surprise passages of almost-poetry _ " Blue gunpowder haze produced musical sighs in the gloom, a stirring at the base of Buddha's clay feet ."
• It's novelist Tim O'Brien, 56, born in Minnesota, tempered by war in Vietnam, longtime denizen of Cambridge, Mass ., and author of such books as " Going After Cacciato,"
• He also sees Cacciato's face in the moon floating above the squad and as " fuzzy, bobbing in and out of mist " ( p . 10 )-- pretty much in any environment in which Paul Berlin finds himself.
• This behavior not only reads like a cruel parody of post-traumatic stress syndrome, but also mocks the wonderfully nuanced delineation of the Vietnam experience set down in " Going After Cacciato " and " The Things They Carried ."
• There are other moments of incredulity : No preteen, no matter how precocious, is hanging out reading Tim O'Brien's " Going After Cacciato, " or using " Paradise Lost " a few years later to explain the world around her.
• Houghton Mifflin has high fall hopes on " In the Lake of the Woods, " a novel by Tim O'Brien, a National Book Award winner ( for " Going After Cacciato, " and " Saturday Night Live : The First Twenty Years ."
• O'Brien has left behind the battlefields of Southeast Asia, which provided a backdrop for his earlier books " Going After Cacciato " ( 1978 ) and " The Things They Carried " ( 1990 ), two of the most powerfully imagined works to emerge from the Vietnam War.
• As a result, many of the best Vietnam books, like Tim O'Brien's " Going After Cacciato " and Michael Herr's " Dispatches, " employed fractured, disjointed narratives or hyped-up, nervous language to capture the heightened weirdness of the war.
• The main idea of the story is, by O'Brien's estimation, that being a soldier in Vietnam for the standard tour of duty entails constant walking; if one were to put all the walking in a straight line, one would end up in Paris, where Cacciato is going.
• Thirteen-thousand miles from home, it provided a stunningly exotic setting, at once gorgeous and menacing ( " The land is your true enemy, " a Viet Cong major tells a squad of American soldiers in Tim O'Brien's novel, " Going After Cacciato " ).
• For readers familiar with O'Brien's work from the early, award-winning " Going After Cacciato " to " The Things They Carried, " one thing is absolutely certain : His writing gives an authentic voice to the grunts, the foot soldiers, who have fought this country's wars.
• "It was an attractive investment opportunity with an upside potential, " said Felix J . Cacciato, senior vice president of hotel investments at HEI . The plan, he said, is to change it to a more upscale Crown Plaza Holiday Inn and invest an addiional $ 1 million in renovations " to draw business and pleasure travelers willing to pay a higher rate ."
• "Tomcat in Love " ( Broadway Books, New York, $ 26, 347 pages ), the seventh book by the author of " Going After Cacciato " and " In the Lake of the Woods, " is the story of a self-deluding, skirt-chasing, revenge-obsessed professor of language who wallows from one love-starved episode to another.
• At times, " Lake of the Woods " glows with the fierce, radiant magic of O'Brien's remarkable Vietnam fiction, " Going After Cacciato " ( 1978 ) and " The Things They Carried " ( 1990 ); more often, it devolves into a painful collection of portentous cliches reminiscent of his lugubrious 1985 novel, " The Nuclear Age ."
• To call " Going After Cacciato " a novel about war is like calling " Moby Dick " a novel about whales . " Freedman sees influences by Ernest Hemingway and says, " . . . far from being a high-minded, low-voltage debate on the rights and wrongs of Vietnam, " Going After Cacciato " is fully dramatized account of men both in action and escaping from it ."
• To call " Going After Cacciato " a novel about war is like calling " Moby Dick " a novel about whales . " Freedman sees influences by Ernest Hemingway and says, " . . . far from being a high-minded, low-voltage debate on the rights and wrongs of Vietnam, " Going After Cacciato " is fully dramatized account of men both in action and escaping from it ."
• No longer does Quan dream of glory and heroics; rather, the war has become for him a daily matter of survival : of finding enough food ( rice, plants, even grubs ) to stave off malnutrition, of dodging bullets and bombs, of trying to escape the grim realities of war by retreating, like Tim O'Brien's hero in " Going After Cacciato, " into the world of dreams and memories.
• Richard Freedman, writing in " The New York Times " and suggesting that Cacciato is a Christ figure, said, " By turns lurid and lyrical, " Going After Cacciato " combines a surface of realistic war reportage as fine as any in Michael Herr's recent " Dispatches " with a deeper feel-- perhaps possible only in fiction-- of the surrealistic effect war has on the daydreams and nightmares of the combatants.
• Richard Freedman, writing in " The New York Times " and suggesting that Cacciato is a Christ figure, said, " By turns lurid and lyrical, " Going After Cacciato " combines a surface of realistic war reportage as fine as any in Michael Herr's recent " Dispatches " with a deeper feel-- perhaps possible only in fiction-- of the surrealistic effect war has on the daydreams and nightmares of the combatants.