colourists造句

• In 1672, Charles Le Brun, Chancellor of the French Academy, attempted to halt the argument by stating officially that " the function of colour is to satisfy the eyes, whereas drawing satisfies the mind . " He failed, and the debate was continued in the pamphlets of Roger de Piles, who favoured the colourists and set out the arguments in his 1673 " Dialogue sur le Coloris " ( Dialogue on Colour ), and his 1677 " Conversations sur la Peinture " ( Conversations on Painting ).
• To remedy this confusion, in 1990 the art materials industry voluntarily began listing pigment ingredients on the paint packaging, using the common pigment name ( such as " cobalt blue " or " cadmium red " ), and / or a standard pigment identification code, the "'generic color index name "'( PB28 for cobalt blue, PR108 for cadmium red ) assigned by the Society of Dyers and Colourists ( UK ) and the American Association of Textile Chemists and Colorists ( USA ) and known as the Colour Index International.
• After the new ceiling was unveiled, " even the bitterest opponents of the commission seemed to fall silent ", writes Baal-Teshuva . " Unanimously, the press declared Chagall's new work to be a great contribution to French culture . " Malraux later said, " What other living artist could have painted the ceiling of the Paris Opera in the way Chagall did ? . . . He is above all one of the great colourists of our time . . . many of his canvases and the Opera ceiling represent sublime images that rank among the finest poetry of our time, just as Titian produced the finest poetry of his day . " In Chagall's speech to the audience he explained the meaning of the work:
• He was the first English artist to make illustrations of dragonflies accurate enough to be identified to species ( " Aeshna grandis " at top left of plate illustrated ), though his rough drawing of a larva ( at lower left ) with the mask extended appears to be plagiarised . { { efn | Reviewing his artwork, the odonatologists Albert Orr and Matti H鋗鋖鋓nen comment that his drawing of a'large brown'( " Aeshna grandis ", top left of image ) was " superb ", while the " perfectly natural colours of the eyes indicate that Harris had examined living individuals of these aeshnids and either coloured the printed copper plates himself or supervised the colourists . " However, they consider the larva on the same plate far less good, " a very stiff dorso-lateral view of an aeshnid larva with mask extended.