daffodil造句

• In limmen 30km 18 miles northwest of amsterdam in april may where you can see over 2500 varieties of tulips , daffodils and hyacinths
  的您，可选择于四月五月前往位于limmen的hortus bulborum离阿姆斯特丹少于半句钟的车程欣赏逾2500种杜鹃洋水仙及风信子。
• Williams : these boys are now fertilizing daffodils . but if you listen real close , you can hear them whisper their legacy to you . go on , lean in
  威廉斯：这些孩子现在成了水仙花的肥料了。但是如果你靠近仔细听，可以听见他们对你小声耳语他们的遗赠。来，身子斜一点。
• The daffodils which challenge so proudly and splendidly the boisterous march winds are soon shriveled and defeated , limply wrinkling to remind us of the inevitable ravages of time
  那笑傲三月狂风的水仙花，很快枯萎一片，花残叶败，紧锁的愁眉向人们诉说着天道的无情。
• And she watched the daffodils turn golden , in a burst of sun that was warm on her hands and lap . even she caught the faint , tarry scent of the flowers
  她望着那些野水仙花，在太阳下变成金黄颜色，这同样的太阳，把她的手和膝疯都温暖起来，她甚至还闻着轻微的柏油昧的花香。
• In the centre of the profusion of floral tributes the tiny bunch of lily of the valley contrasted sharply with the vivid roses , daffodils , tulips and anemones that surrounded it
  那一小束素雅的铃兰在人们送的那些鲜艳的玫瑰花、水仙花、郁金香和秋牡丹之中，显得格外醒目。
• Flower of optional choose carnation , chinese rose , daffodil , orchid , match with asparagus , all over the sky star or shi song , in order to wish expensive system recovers at an early date
  可选择香石竹、月季花、水仙花、兰花等，配以文竹、满天星或石松，以祝愿贵体早日康复。
• I may not have a mansion , i haven ' t any land , not even a paper dollar to crinkle in my hand , but i can show you morning on a thousand hills and kiss you and give you seven daffodils
  我没有高楼,也没有土地,我没有在手中沙沙作响的纸币.但我能让你看见万山丛中的清晨,我会亲吻你,给你七朵水仙花
• Return flower of optional choose carnation , chinese rose , daffodil , orchid to wait additionally , match with asparagus , all over the sky star or shi song , in order to wish expensive system recovers at an early date
  另外还可选择香石竹、月季花、水仙花、兰花等，配以文竹、满天星或石松，以祝愿贵体早日康复。
• But somewhere from the 19th century onward , more artists began seeing happiness as meaningless , phony or , worst of all , boring , as we went from wordsworth ' s daffodils to baudelaire ' s flowers of evil
  但是到了19世纪的某个时候，更多的艺术家开始觉得快乐是没有意义的，是虚假的，更是枯燥乏味的，从华兹华斯的《黄水仙》到波德莱尔的《恶之花》都是如此。