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fabliaux造句

"fabliaux"是什么意思  
造句与例句手机版
  • He also published two anonymous works in old French : " Les Contes du gay s鏰voir, ballades, fabliaux et traditions du moyen 鈍e " ( 1828 ) and " L Historial du jongleur, chroniques et l間endes fran鏰ises " ( 1829 ).
  • Some thirty-two noblemen or squires contributed the other stories, with some 14 or 15 taken from Giovanni Boccaccio, and as many more from Gian Francesco Poggio Bracciolini or other Italian writers, or French fabliaux, but about 70 of them appear to be original.
  • Other noteworthy collections of Indian traditional stories include the " Panchatantra ", a collection of traditional narratives made by Vishnu Sarma in the second century BC . The " Hitopadesha " of Narayana is a collection of anthropomorphic fabliaux, animal fables, in Sanskrit, compiled in the ninth century.
  • The genre has been quite influential : passages in longer medieval poems such as " Le Roman de Renart " as well as tales found in collections like Giovanni Boccaccio's " Decamerone " and Geoffrey Chaucer's " Canterbury Tales " have their origin in one or several fabliaux.
  • As a fabliaux ( " fablel ",'little story'in the manuscript title ), it is bawdy, and the action revolves around a trick ( or cointise,'strategem') played upon one of the characters, an illicit love interest, localized action, and non-aristocratic protagonists.
  • Still working as an editor, in 1957 he translated Proudhon's " The Social Question " and de Sade's " Historiettes, Contes et Fabliaux "-he was sentenced to three months'imprisonment for the publication of obscene material ( De Sade s works would later be burned in Varese ).
  • His contributions to medieval studies include " Chaucer and the French Tradition : A Study in Style and Meaning " ( University of California Press, 1957 ), " The Book of Geoffrey Chaucer ", " The Old French Fabliaux ", and " Poetry and Crisis in the Age of Chaucer ".
  • In literature he embraced the whole sphere of contemporary studies, and distinguished himself as an orator, a writer of rhetorical treatises, a panegyrist of the dead, a passionate impugner of the living, a sarcastic polemist, a translator from the Greek, an epistolographer and grave historian and a facetious compiler of " fabliaux " in Latin.
  • Fabliaux derive a lot of their force from puns and other verbal figures; indeed, " fabliaux . . . are obsessed with wordplay . " Especially important are paranomasia and catachresis, tropes which disrupt ordinary signification and displace ordinary meanings by similarity of sound, for instance, one can have both " con " and " conte " ( " cunt " and " tale " ) in the same word, a common pun in fabliaux.
  • Fabliaux derive a lot of their force from puns and other verbal figures; indeed, " fabliaux . . . are obsessed with wordplay . " Especially important are paranomasia and catachresis, tropes which disrupt ordinary signification and displace ordinary meanings by similarity of sound, for instance, one can have both " con " and " conte " ( " cunt " and " tale " ) in the same word, a common pun in fabliaux.
  • It's difficult to see fabliaux in a sentence. 用fabliaux造句挺难的
  • Fabliaux derive a lot of their force from puns and other verbal figures; indeed, " fabliaux . . . are obsessed with wordplay . " Especially important are paranomasia and catachresis, tropes which disrupt ordinary signification and displace ordinary meanings by similarity of sound, for instance, one can have both " con " and " conte " ( " cunt " and " tale " ) in the same word, a common pun in fabliaux.
  • With Willem Noomen, he co-edited the ten-volume " Nouveau recueil complet des fabliaux " ( NRCF ) ( Assen, Holland : Van Gorcum, 1983-2001 ), ISBN 9023219864 ( volume 1 ) and ISBN 9023219872 ( volume 1 paperback ), ISBN 9789023220466 ( volume 2 ), ISBN 9789023221746 ( volume 3 ), ISBN 9789023223641 ( volume 4 ), ISBN 9789023224662 ( volume 5 ), ISBN 9789023226338 ( volume 6 ), ISBN 9789023228240 ( volume 7 ), ISBN 9789023229629 ( volume 8 ), ISBN 9789023232001 ( volume 9 ), and ISBN 9789023233299 ( volume 10 ).
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