backcloth造句

例句与造句

1. Kenneth John Verdugo has designed a wonderful backcloth-scroll evoking a WPA mural.
2. In it there is an evocative language whose sensitivity could be extended into music and into the orchestral backcloth ."
3. The sombre, lustrous " backcloth " serves to push the dancers into greater focus and gives them a more lifelike quality.
4. Thus when the Queen of the Night first arrives, day turns to night as we witness the shifting backcloths moving to create the new scene.
5. The author grew up at number 79 Parkeston Crescent, and used the estate and its many characters as the backcloth to his Birmingham-based novel.
6. It's difficult to find backcloth in a sentence. 用backcloth造句挺难的
7. A black-leather-clad Marlon Brando in " The Wild One " serves as a backcloth to designer versions of the black leather Perfecto jacket.
8. The group would deck out in 19th century pirate costume in front of a huge backcloth of a pirate galleon, Kidd toying with a cutlass to great effect.
9. Inside the house there is backcloth, drums, baskets for Luwombo, hunting nets, wooden sandals ( emikalabanda ), and the Omweso game popular among the Baganda.
10. He sits for a short make-up session before taking his seat in front of a black background with only the blue U . N . flag as a backcloth.
11. A blue backcloth is used in the background, and the television version uses fake clouds hanging from the ceiling, taking advantage of a larger stage than is used in theatrical appearances.
12. The course is a mixture of heath and woodland, the tree-lined fairways have a particularly splendid backcloth of colour with attractive areas of heather and many species of wild flowers.
13. By that point he had also published his seminal article ( 1946 ) on the dream screen  the backcloth formed from primitive memories of the breast onto which the dream is projected.
14. The Citizens Theatre is the only theatre in Scotland still to have the original Victorian machinery under the stage and the original Victorian paint frame is still used today to paint the backcloths for shows.
15. Beckett required the set to have " a maximum of simplicity and symmetry " with a " very pompier trompe-l'oeil backcloth to represent unbroken plain and sky receding to meet in far distance ".
16. Cantilevered galleries and wall-walks run around the inside of the courtyard with neat and orderly woodwork; the historian Peter Floud critiqued it as " perhaps too much like the backcloth for an historical pageant ".
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