caimo造句
例句与造句
- Other composers who influenced Caimo included Vincenzo Ruffo and Nicola Vicentino.
- Caimo published four books of music which have survived, and six which are lost.
- Caimo himself seems to have had little influence outside of Milan, with his name only appearing a handful of times in literature of the era.
- Caimo's chromaticism is most extreme in his fourth book of madrigals, which was for five voices and published the year of his death ( 1584 ).
- Caimo was organist at the church of San Ambrogio Maggiore in Milan from 1564, as indicated on the title page of his madrigal book of that year, probably until 1580 when he became the organist at Milan Cathedral.
- It's difficult to find caimo in a sentence. 用caimo造句挺难的
- Milan, under Spanish rule during Caimo's time, was not the musical center it had been under the Sforza dynasty a century earlier, having lost its place to Venice as the musical center of northern Italy.
- During the 1570s he acquired a connection with Wilhelm V's ducal court in Bavaria, which had one of the most distinguished musical establishments north of the Alps, but they never succeeded in persuading Caimo to leave Milan.
- Caimo died young and evidently suddenly : Pietro Tini, the publisher of Caimo's second book of canzonettas ( Venice, 1584 ) wrote that it was an " acerba et impensata morte " ( bitter and unexpected death ).
- Caimo died young and evidently suddenly : Pietro Tini, the publisher of Caimo's second book of canzonettas ( Venice, 1584 ) wrote that it was an " acerba et impensata morte " ( bitter and unexpected death ).
- Invited artists were Ria Pacq閑, Beati Jolanda Niesyta, Maria Degr鑦e, Karina Beumer, Saori Kuno, Philip Meersman, Jo Caimo, Mikes Poppe, Peter Fengler, Tina Cake Line, Erin Helsen, Timo van Grinsven, Liesje De Laet, Stefan Wouters, Messieurs Delmotte, Eddy Ausloos, Johanna van Overmeir and Anna Kosarewska.
- One of his poems, the erotic " Tirsi morir volea ", recounting the amorous encounter of a shepherd and a nymph, was set to music as a madrigal by more composers than any other pastoral poem of the era, including, among others, Andrea Gabrieli, Gioseppe Caimo, Carlo Gesualdo, Luca Marenzio, Benedetto Pallavicino, and Giaches de Wert.
