debret造句
例句与造句
- Debret and Montigny became a nucleus of endurance for the group.
- From Jean Baptiste Debret, " Voyage Pittoresque et Historique au Br閟il " ( 1834 1839 ).
- In 1831, he left Brazil along with Debret to Europe, in order to improve his painting techniques.
- Among his many students was Charles-Auguste Questel; he was the brother-in-law of fellow architect Fran鏾is Debret.
- This left the group with only five of its original members : Debret, Nicolas and Auguste Taunay, Montigny, and Ovide.
- It's difficult to find debret in a sentence. 用debret造句挺难的
- The most famous member of the group was painter, Jean-Baptiste Debret, the illustrious student of celebrated artist Jacques-Louis David.
- There were few classes available for enrollment, given the precarious conditions artists like Debret faced in their small artisanal workshops in neighborhoods near Catumbi.
- In 1831, when Debret returned to Paris, De S?took his place as head of the History Painting Department at the Imperial Academy.
- The coat of arms was designed by the French Jean-Baptiste Debret ( 1768-1848 ) as you can see in the file description.
- Ceremony of Acclamation held on 9 April 1831 to publicly proclaim the accession to the Brazilian Throne of Emperor Pedro II . Painting by Jean-Baptiste Debret.
- "' Jean-Baptiste Debret "'( 18 April 1768 28 June 1848 ) was a painter, who produced many valuable lithographs depicting the people of Brazil.
- In the first half of the 19th century, she was mentioned in the book titled " " Viagem Pitoresca e Hist髍ica do Brasil " " by Jean-Baptiste Debret.
- Debret was named the official portrait artist for Dom Pedro I and Montigny was responsible for several architectural and urban planning that contributed to the renovation of the face of Rio de Janeiro.
- In 1826, he moved to Rio de Janeiro, in order to study painting with Jean-Baptiste Debret at the Escola Nacional de Belas Artes ( at the time called the Academia Imperial de Belas Artes ).
- In an upstairs gallery, be sure to pull out the print drawers stocked with watercolors by Jean-Baptiste Debret ( 1768-1848 ), who captured the opulence and oppression of colonial life in exquisite, sometimes painful, detail.
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