fevronia造句

"fevronia"是什么意思   

例句与造句

  1. Vladimir Galuzin was too characterless as Vsevolod, the prince to whom Fevronia is betrothed.
  2. Alkonost sings to Fevronia that she is about to die, and Sirin foretells her translation to eternal life.
  3. Among her roles were Countess Almaviva, Donna Anna in both " Don Giovanni " and " Fevronia.
  4. This flower is often cultivated as an ornamental plant, and in Russia it is the symbol of Peter and Fevronia Day.
  5. But Grishka agrees to betray Russia and to lead the Tatars to the city, while Fevronia prays that it be rendered invisible.
  6. It's difficult to find fevronia in a sentence. 用fevronia造句挺难的
  7. Soviet scholars have looked at " The Tale of Peter and Fevronia " as the initial stage of the secularization of Russian literature.
  8. Konstantin Pluzhnikov overplayed his role as Grishka, the drunkard who flees the Tartars with Fevronia, at times, but folkish extravagance is built into his part.
  9. Fevronia's spiritual translation is another nature-ecstasy of this kind, for she is identified from the beginning of the opera as an apostle of folk pantheism.
  10. Fevronia is captured by the Tatars and is racked by anxiety for the fate of her bridegroom and the city of Greater Kitezh, which the Tatars will attack next.
  11. In 1949 she was invited to sing Fevronia in' The Legend of the Invisible City of Kitezh' by Rimsky-Korsakov at the Liceu in Barcelona.
  12. The miracle music, especially the music that accompanies Fevronia's soul on its journey into the invisible city, recalls the ostinato bass from the " Parsifal"
  13. They become visible ( and audible ) to the helpless, exhausted and wounded Fevronia in a magic transformation scene, in which the forest where she has been abandoned turns into a fantastic garden.
  14. Peter and Fevronia are displayed, features a fine cathedral ( 1642 1643 ), Kazan church ( 1652 ), a bell-tower ( 1652 ), a wooden church of St . Sergius, and stone walls.
  15. It was a strange sensation, passing from the pagan rites and primal choruses of the second act, through the Wagnerian music of Fevronia's vision of approaching spring, into the heavenly city with its devout Russian ritual.
  16. In a final pantheistic beatitude, Fevronia is miraculously transported into the invisible city, where she meets the resurrected Vsevolod ( killed in battle with the Tatars ) and completes her marriage vows, interrupted two acts before by the invasion.
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