grocheio造句

例句与造句

1. Grocheio was also one of the first scholars to define a motet.
2. Almost one-third of Grocheio's treatise is devoted to liturgical and composed music.
3. The rest is devoted to secular music, and Grocheio surveyed its new social importance in a systematic and pedagogical fashion.
4. Grocheio writes, for example, that " a good fiddler generally performs every kind of " cantus " and " cantilena " [ cantil鑞e ], and every musical form ."
5. According to Grocheio, the fiddle was the supreme instrument of the period, and the stantipes, together with the cantus coronatus and ductia, were the principal forms played on fiddles before the wealthy in their celebration.
6. It's difficult to find grocheio in a sentence. 用grocheio造句挺难的
7. Appeared in the early 9th century, it is an instrument mentioned in the " Cantigas de Santa Maria ", and by Johannes de Grocheio ( towards 1300 ) who called it " quitarra sarrac閚ica ".
8. Conversely, Grocheio believed that trouv鑢e songs inspired kings and noblemen to do great things and to be great : " This kind of song is customarily composed by kings and nobles and sung in the presence of kings and princes of the land so that it may move their minds to boldness and fortitude, magnanimity and liberality &"
9. The two statements of each punctus differ only in their endings, described as " apertum " ( " open " ) and " clausum " ( " closed " ) by Grocheio, who believed that six " puncta " were standard for the stantipes ( his term for the estampie ), though he was aware of stantipes with seven " puncta ".
10. Johannes de Grocheio, a Parisian musical theorist of the early 14th century, believed that " trouv鑢e " songs inspired kings and noblemen to do great things and to be great : " This kind of song is customarily composed by kings and nobles and sung in the presence of kings and princes of the land so that it may move their minds to boldness and fortitude, magnanimity and liberality . . . " ( Page, 1997)