manodharma造句

例句与造句

  1. Manodharma ( spontaneous improvisation ) remains a vital feature.
  2. Similarly to GNB, she was a genius in her tricky, instantaneous brilliant manodharma.
  3. At home, he became known for his rich vocal compass, manodharma, laya gnanam and gamaka pushti.
  4. While MLV was known more for her cerebral style, rather than her emotional style, this was compensated by her rich and original manodharma.
  5. Has a rich and a mellifluous voice supported by an imaginative Manodharma which make her concerts always noted for their devotional appeal, melodic content and technical excellence.
  6. It's difficult to find manodharma in a sentence. 用manodharma造句挺难的
  7. Vadivelu Pillai also learnt to play the violin gained expertise and demonstrated that not only Kalpita sangeetam but Manodharma sangeetam could also be easily and deftly played on the instrument.
  8. "Anandabhairavi " also has unique " swara " patterns both in " manodharma " ( impromptu improvisations by performer ) and in its compositions.
  9. "A purist to the last, his raga alapanas and pallavi elaboration in different ragas were masterpieces of expertise, lakshana-lakshya elegance, high level artistic exuberance of manodharma"
  10. Teachers of Carnatic music maintain that varnams must be practised in double and triple speeds by performers in order to develop the skills of manodharma ( improvisation ), particularly neraval and kalpanaswaras.
  11. Rani's treatise on " Kalpita Sangeetam as the basis of Manodharma Sangeetam " resulted in the Ministry of HRD and Department of Culture, Government of India, awarding her a Junior Fellowship.
  12. The play has fourteen scenes . The four plays of Kottayam Thampuran, namely, Kirmeeravadham, Bakavadham, Kalyanasaugandhikam and Kalakeyavadham, are considered very important in the Kathakali repertoire and are a combination of conventional structure ('chitta') with intermittent possibilities for improvisation ('manodharma').
  13. More importantly, the scholarly nature of his compositions was not appealing to the layperson, they needed to be studied to be savoured . In his compositions there is a perfect blend of Supreme Bhakti ( Utmost Devotion ), Manodharma Bhavam with adequate Sahityam, but very important all put into the cup of Absolute Talam ( Rhythm ).
  14. Many musicians of the recent past, such as Ghantasala, G . N . Balasubramaniam, Madurai Mani Iyer, Rajarathnam Pillai, Karukurichi Arunachalam, excelled in their application of manodharma bringing in many a sweet combination of notes of melodies, while limiting themselves to the confines of the raga concerned, embellishing the raga with their ability to produce melodic prayogas.

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