rasgueado造句

例句与造句

1. The word punto refers to the use of a plucked technique ( punteado ), rather than strumming ( rasgueado ).
2. With his training he preferred picking ( punteado ) instead of strumming ( rasgueado ), which had been the main technique previously.
3. A typical " rasgueado " ( a strumming pattern that sets the rhythm ) involves only the A and B-flat chords as follows:
4. In case of fingerstyle playing there is a technique in rasgueado where guitarist play bass, lead, rhythm, beat and vocals all on same guitar.
5. There are several types of rasgueado, but the two main divisions are those that employ the forearm and thumb in conjunction and those that incorporate only the fingers.
6. It's difficult to find rasgueado in a sentence. 用rasgueado造句挺难的
7. Many of the tremolo, golpe, and rasgueado techniques are easier and more relaxed if the upper right arm is supported at the elbow by the body of the guitar rather than by the forearm as in classical guitar.
8. His guitar book " Nuova inventione d'intavolatura per sonare li balletti sopra la Chitarra Spagniuola " is the earliest to have been printed using alphabet notation of chords for rasgueado playing a five-course guitar.
9. In the 1920s, boleros were often accompanied by guitar in " rayado " or " rasgueado " manner ( ~ strumming ); Delfin changed that to a semi-arpeggio style ( ~ picking ).
10. The book was a tutor as well as a songbook, containing a description of rasgueado ( Battute ) technique and accompaniment for a number of 17th century dances in alfabeto notation : ciaccona, passacaglia, gagliarda, and romanesca.
11. Flamenco technique, in the performance of the rasgueado also uses the upstroke of the four fingers and the downstroke of the thumb : the string is hit not only with the inner, fleshy side of the fingertip but also with the outer, fingernail side.
12. Joropo oriental playing style, however, is distinguished by its generous use of rasgueado texturing of the rhythm, in which the right hand opens as the fingers stroke the strings, creating more of a sustained, finger-roll sound than a crisp strike.
13. In contrast, Flamenco technique, and classical compositions evoking Flamenco, employ the little finger semi-independently in the Flamenco four-finger rasgueado, that rapid strumming of the string by the fingers in reverse order employing the back of the fingernail & mdash; a familiar characteristic of Flamenco.
14. His playing style is adapted from classical guitar, using a classical right-hand technique to express complex harmonic structures and quick jazz-inspired melodic lines while sustaining impulsive strumming in the manner of the Spanish rasgueado, a typical colour in flamenco, and enhanced with playing techniques between tone and noise.
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    p醤 Rak and Kazuhito Yamashita have also generalized the use of the upstroke of the four fingers and the downstroke of the thumb ( the same technique as in the rasgueado of the Flamenco : as explained above the string is hit not only with the inner, fleshy side of the fingertip but also with the outer, fingernail side ) both as a free stroke and as a rest stroke.