saxtubas造句

例句与造句

1. Although a total of 1500 musicians from thirty regiments were employed in the ceremony, the twelve saxtubas overwhelmed all the other instruments.
2. According to an eyewitness the saxtubas were played by the same civilian players who had played them at the Op閞a the previous month.
3. Presumably the same applied to the saxtubas : some of the extant saxtubas have only three valves, while some have four valves.
4. Presumably the same applied to the saxtubas : some of the extant saxtubas have only three valves, while some have four valves.
5. The whole-tube saxtubas require at least four valves for a fully chromatic range from the fundamental upwards, as the gap between the first and second harmonics is a full octave.
6. It's difficult to find saxtubas in a sentence. 用saxtubas造句挺难的
7. In the following table, all eight saxtubas from " Le Juif errant " and the contrabass saxtuba in C from Massenet's " Esclarmonde " have been included with their probable ranges.
8. The saxtubas made their first public appearance at the premi鑢e of Fromental Hal関y's opera " banda " ), so it was not unusual for instruments of his design to be showcased in popular productions.
9. The only other notable public appearance of the saxtubas occurred less than a month after the opera's premi鑢e, on 10 May 1852, when twelve saxtubas participated in a military ceremony on the Louis Napoleon distributed the colours to his army.
10. The only other notable public appearance of the saxtubas occurred less than a month after the opera's premi鑢e, on 10 May 1852, when twelve saxtubas participated in a military ceremony on the Louis Napoleon distributed the colours to his army.
11. Records preserved in the Biblioth鑡ue-Mus閑 de l'Op閞a National de Paris indicate sporadic appearances of saxtubas of various sizes in operatic productions throughout the late nineteenth century, both as solo instruments in the pit and as theatrical instruments in the onstage " banda ".
12. The existence of a few saxtubas from the late nineteenth or early twentieth century & ndash; including six specimens manufactured by Sax's son Adolphe-Edouard & ndash; suggests that the instrument did not become completely obsolete after the disappearance of " Le Juif errant " from the repertoire.
13. Like Sax's saxhorns and saxotrombas, which were also covered by this patent, the saxtubas were equipped with " pavillons tournants "  that is to say, their bells pointed forward  which was considered ideal for instruments intended to be played by marching or mounted bands in the open air.
14. It should be noted that the two contrabass instruments which Berlioz says are lacking ( the double-bass [ " contrebasse " ] in E and the drone [ " bourdon " ] in B ) are in fact included among the eight different sizes of saxtubas that took part in Hal関y's " Le Juif errant ".