sprinchorn造句

例句与造句

1. A translation of Sprinchorn's text was made by Amandus Johnson.
2. The latest advocate for Chapman as the rival poet is Evert Sprinchorn ( 2008 ).
3. Standing before a Carl Sprinchorn, Crosman predicts a run on his paintings now that the estate has been settled.
4. Additionally, the museum s permanent collection includes work by artists associated with Maine such as Berenice Abbott, Marsden Hartley, Winslow Homer, John Marin, Carl Sprinchorn, and Andrew Wyeth.
5. This report was printed in 1878, in the appendix of Carl K . S . Sprinchorn's " Kolonien Nya Sveriges Historia " ( in English : History of the Colony of New Sweden ).
6. It's difficult to find sprinchorn in a sentence. 用sprinchorn造句挺难的
7. In 1930 Drewes had a solo exhibition at the 135th Street Branch of the New York Public Library and a two-person show at the S . P . R . Penthouse Gallery ( with Carl Sprinchorn ).
8. The museum's collection of 4, 000 objects, mostly works on paper, has largely been shaped by the Hartley founding gift . Drawings by some of his friends, including Carl Sprinchorn and Mark Tobey, were added, along with photographs of the artist by George Platt Lynes and Alfredo Valente, dating from the 1930s.
9. And, lacking exhibition galleries for its permanent collection, the museum wisely rotates it in exhibitions, like the current " Jump Into It : Water as Muse, " a medley of watery themes that includes 79 works by 58 artists, among them Marin, Willem de Kooning, Carl Sprinchorn, Jennifer Bartlett, David Hockney and Susan Shatter.
10. The first known use of the " ash can " terminology in describing the movement was by Art Young, in 1916, but the term was applied later not only to the Henri circle, but also to such painters as George Bellows ( another student of Henri ), Jerome Myers, Gifford Beal, Glenn Coleman, Carl Sprinchorn, and Mabel Dwight and even to photographers Jacob Riis and Lewis Hine, who portrayed New York's working-class neighborhoods in a sometimes brutally realistic fashion.
11. A critic for the " New York Times " called attention to the subtle treatment in cityscape paintings he exhibited in the dual show with Carl Sprinchorn, noting that they " look fragile, as if they were made from reflections of the city in a soap bubble, rather than from life . " In reviewing his solo show at the Morton Gallery, another " Times " critic praised his work as " solid . " She said " though the paint is put on in much the same quick fashion, " as the cityscapes at S . P . R . Penthouse, " the composition has something that keeps it from breaking as if touched . " Of his solo show at the Morton Gallery Margaret Breuning, the critic for the " New York Evening Post " praised his the " crisp vigor " of his portraits, his skill at handling the form and color of a still life, and the " well developed " and " imaginative " choice of viewpoint in a landscape . " One hopes, " she wrote, " and confidently expects to see more work from this young artist . " In reviewing the dual exhibition with Herbert Reynolds Kniffin, " T . C . L . " of the " Times " called Drewes " an artist of promise " wrote of his " dynamic quality, an apparent fluency and economy of means, " and said " he paints with sureness and vigor, with suggestion rather than in detail . " Of this exhibition, the critic for the " New York Sun " wrote, " Mr . Drewes is an imaginative painter who is worth watching.