tintinnabuli造句

例句与造句

1. Te Deum employs P鋜t's signature tintinnabuli compositional style.
2. P鋜t divides each pair into a melodic and tintinnabuli voice.
3. P鋜t harmonizes the melody ( M-voice ) of Te Deum using his signature tintinnabuli process.
4. It contains two original compositions and a 14-minute rendition of Arvo P鋜t's tintinnabuli masterpiece F黵 Alina.
5. It was longlisted for the Miles Franklin Award and Arvo P鋜t's tintinnabuli technique of musical composition and Biblical dirges.
6. It's difficult to find tintinnabuli in a sentence. 用tintinnabuli造句挺难的
7. Since the late 1970s, P鋜t has worked in a minimalist style that employs a self-made compositional technique called tintinnabuli.
8. The tintinnabuli process, founded on the constant reiteration of the notes of a single, unchanging triad, is one such constant element.
9. The melodic voice plays the notes of the A minor scale, and the tintinnabuli voice plays the notes of the A minor triad.
10. Tintinnabuli is often described as a triad encircles a melody, manifesting itself in specific positions in relation to the melody according to a predetermined scheme of adjacency.
11. The other sort of melisma P鋜t uses on the stressed syllables of Te Deum is one in which two notes of the tintinnabuli chord melodically surround the melodic pitch.
12. Tintinnabuli harmony consists of a reaction in the harmonic line ( or T-line ) to the M-line, such that the former follows the contour of the latter, but makes use only of pitches of the tintinnabuli triad.
13. Tintinnabuli harmony consists of a reaction in the harmonic line ( or T-line ) to the M-line, such that the former follows the contour of the latter, but makes use only of pitches of the tintinnabuli triad.
14. In more recent years Phillips has commissioned Eric Whitacre, Gabriel Jackson, Nico Muhly, Ivan Moody, John Woolrich, Matthew Martin, Christopher Willcock, Michael Nyman; and in 2014 made a disc entirely dedicated to Arvo P鋜t's tintinnabuli style.
15. In its most rudimentary form, P鋜t's tintinnabuli music is composed of two main voices : one carries the usually stepwise melody ( M-voice ) while the other follows the trajectory of the melody but is limited to notes of a specific triad ( T-voice ).
16. The alto and bass voices and oboe and bassoon are always M-voices ( Hillier's coinage, referring to the melody voice in a tintinnabuli configuration ); the soprano and tenor voices and violin and cello are always T-voices ( again, Hillier's coinage referring to the harmonizing voice ).
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