Bringing rural subject matter into scope of feminine literature some thoughts upon sun hui - fen ' s works and criticisms caused 由孙惠芬的创作和对其批评所想到的
Self : oppression - regression - sublimation connotation evolrtion of humanity in chinese feminine literature of the contemporary era 中国当代女性文学中人性内涵的衍化
An open , plauralistic interpretation of feminine consciousness is required by the building of feminine literature as a field of study 对女性意识进行开放多元的阐释，是女性文学学科建构的需要。
Chinese ancient feminine literature had two characteristics : firstly , writers changed from the former noble women , official ' s wives to the later literary family whose works made a feature of exquisite style ; secondly , contents changed from feminine querimony to a kind of ideality of showing feminism and perusing personality release during the ming and qing dynasty , which had progressive significance 摘要初步研究古代女性文学的两大特点：一是创作主体由前期的贵族才女、官妇到后期的文学世家，创作格调高雅清婉；二是思想内容由前期的“闺怨”题材到后期明清时期的表现女性意识和追求个性解放、男女平等的理想，具有进步意义。
In the course of assimilating and drawing upon the feminist literary theory of the western world , there have occurred among china ' s literary critics two tendencies in respect of the understanding of feminine consciousness , namely westernization and nativization , there from arising different forms of speech in feminine literature criticism 在对西方女权主义文学理论的吸收与借鉴中，中国文学批评界对女性意识的认识产生了西化与本土化两种倾向，由此形成了不同的女性文学批评话语方式。
