In “ watch bar , ” you are already intoxicated , drunk in books ; in ancient punctuations ; in music ; in the roar of the orchestra ; in celebratory folk songs ; in the jocular lines of a play ; in the eye ' s pupil , in the sound of leisure sipping ; in the ancient times ; in the glorious memories of a photo ; in the recording ; in the familiar yet elegant gatherings 沉醉在书中，在古老的符号中，在音乐中，在乐队的轰鸣中，在民俗的欢歌里，在戏剧的诙谐中，在明眸中，在浅斟低唱中，在古老的时光复制中，在辉煌的相片记忆中，在纪录中，在俗与雅的交会中。
The second and the third chapters study the relation between mirror and religion . in the developing process of religion , mirror is commonly used not only hi the primitive religion , such as saman and bon , but also in the mature religion , such as taorism and buddhism , and it is used magically too . on the one hand , this act comes from folk custom , on the other hand , religion brings about great progress for it 第二、三两章，考察镜文化与宗教的关系，在我国宗教发展史中，无论是早期的原始宗教，如萨满教、苯教等，还是后来的成熟宗教，如道教、佛教等，都普遍在非照容的意义上用镜，这源自民俗土壤，同时又是对民俗的发展。
Abstract : according to the unearhed porcelain from yao county kiln , from the design point of view , it analyzes the model and decoration style and features of yan china . and it points out that , because of the history and geographical position , the individual choice and trend of yao china have formed the national character and style of chinese traditional china art 文摘:从设计学的角度分析了耀州窑出土陶瓷造型和装饰的艺术风格及特点，认为由于历史文化的积淀和富于民俗的地理位置，耀瓷的造型与装饰形成了独自的选择与倾向，从而构成了中国传统陶瓷艺术鲜明的民族特征和气派。
