Zheng zhenduo . “ preface to outline of literature . ” complete works of zheng zhenduo , vol . 10 . guangzhou : huashan art and literature press , 1998 郑振铎： “文学大纲?叙言” ， 《郑振铎全集》第10卷。百家庄:花山文艺出版社， 1998年。
As a scholar in the early 20th century , overseas influence played an important role in the formation of his literature history view , enlightenment consciousness , nationality consciousness , world consciousness , literature noumenon consciousness and researcher main body consciousness are among his literature history view characteristics 作为成长于20世纪初的一代学者,外来影响作为“他者之镜” 、 “他山之石”在郑振铎文学史观的构成中起了很大作用,启蒙意识、民族意识、世界意识、文学本体意识、研究者主体意识成为其文学史观的主要特质,也使其文学史著作具有了长久的生命力。
Firstly , compared with shen yanbing and zheng zhenduo , ye shengtao had his own characteristics in his literature views and more consciously assu med the identity of an editor . therefore , his editorial work aimed at inspiration and was more rational and in line with the development law of literature and periodical medias 第一，与沈雁冰和郑振铎相比，叶圣陶的文学观念自有特点，对编辑人身份的认同更为自觉，因而他的编辑宗旨意在启蒙，而更显理性，更符合文学和期刊媒介自身发展规律。
This essay puts zheng zhenduo ' s study of the myth , epic , folktale and folk song into the academic background of that time and the development of the folk literature research . it gives an illustration of his outstanding contribution to folk literature in order to bring about the comprehensive understanding of this scholar 本文把郑振铎对神话、史诗、故事、民歌等民间文学体裁的研究,放在当时的学术背景和民间文学研究的发展中进行分析,说明他在民间文学方面成就卓越,以引起人们对这位学者的全面认识。
