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africanisms造句

"africanisms"是什么意思  
造句与例句手机版
  • Ellington was not willing to give up his Africanisms for Broadway,
  • Musical theater is not steeped in Africanisms.
  • He provided them a framework within this European culture into which his and their Africanisms were delivered.
  • After traveling to Ghana and Benin to study Africanisms with Lillian Ashcraft-Eason and Djisovi Ikukomi Eason.
  • Although the language of the African Rite was Latin, it was modified by the introduction of many classical " Africanisms ".
  • "jazz " and " do your own thing " are all Africanisms _ American English words with roots in African culture.
  • In 1949, Turner published his findings in a classic work called " Africanisms in the Gullah Dialect " ( ISBN 978-1570034527 ).
  • When Turner finally published his classic work " Africanisms in the Gullah Dialect " in 1949, he made an immediate impact on established academic thinking.
  • Ms . Morris wanted to balance references to the trans-Atlantic slave trade with acknowledgment of the Africanisms that were retained in the New World rather than destroyed.
  • Outside interest is growing rapidly, too : Lorenzo Dow Turner's " Africanisms in the Gullah Dialect " was reprinted this year, decades after first publication.
  • It's difficult to see africanisms in a sentence. 用africanisms造句挺难的
  • What's astonishing is the range of expressive styles, from the languid chamber jazz of the saxophonists Julius Hemphill and Oliver Lake to the percussive Africanisms of the pianist Randy Weston and the drummer Sunny Murray to the garrulous New Orleans-inspired blues of the baritone saxophonist Hamiet Bluiett.
  • He wanted to be able to provide context for the obvious " Africanisms " he discovered in his Sea Islands research . " Such depth and breadth allowed Turner to locate Gullah culture and language within the broader complexities of the African diaspora in the New World, . . . firmly outside the reductionist theoretical model of cultural assimilation ."
  •  " Africanisms in the Gullah Dialect " ( 1949 ) . . . was considered not only the defining work of Gullah language and culture but also the beginning of a new field, African American studies .  Until then it was pretty much thought that all of the African knowledge and everything had been erased by slavery.
  • V . Y . Mudimbe describes African French as possessing " approximate pronunciation, repressed syntax, bloated or tortured vocabulary, intonation, rhythm and accent stuck in the original African language flow; many phonetic, lexical africanisms . " The differences from European French are due to influence from the mother tongues and the complexity of French grammatical rules, which inhibit its learning by most non-native speakers.
  • In 1975, O . L . Ford wrote the dissertation, " Ada Jack Carver : A Critical Biography . " In 1986, Mildred Acres Houston submitted her masters thesis at Northwestern State University in Natchitoches entitled, " The Shadow of Africa on the Cane : An examination of Africanisms in the Fiction of Lyle Saxon and Ada Jack Carver . " In 1994, D . M . W . Taylor wrote the dissertation, " Louisiana's Literary Legacy : A Critical Appraisal of the Writings of Ada Jack Carver ".
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