combinatoriality造句

例句与造句

1. All trichordally derived rows possess trichordal combinatoriality.
2. Transpositional combinatoriality is the lack of shared pitch classes between a hexachord and one or more of its transpositions.
3. Retrograde hexachordal combinatoriality is considered trivial, since any set has retrograde hexachordal combinatoriality with itself ( " all " tone rows have retrograde combinatoriality ).
4. Retrograde hexachordal combinatoriality is considered trivial, since any set has retrograde hexachordal combinatoriality with itself ( " all " tone rows have retrograde combinatoriality ).
5. Retrograde hexachordal combinatoriality is considered trivial, since any set has retrograde hexachordal combinatoriality with itself ( " all " tone rows have retrograde combinatoriality ).
6. It's difficult to find combinatoriality in a sentence. 用combinatoriality造句挺难的
7. Further models studied the role of self-organization in the origins of phonemic coding and combinatoriality, that is the existence of phonemes and their systematic reuse to build structured syllables.
8. However, unlike the twelve tone technique to which Perle refers, Scriabin did not use his Mystic chord as an ordered set and did not worry about repeating or omitting notes or aggregate combinatoriality.
9. "' Hexachordal combinatoriality "'is a concept in post-tonal theory that describes the combination of hexachords, often used in reference to the music of the Second Viennese school.
10. In rows with the property of " combinatoriality ", two twelve-note tone rows ( or two permutations of one tone row ) are used simultaneously, thereby creating, " two permutations and the second two hexachords.
11. The principal forms, P1 and I6, of Schoenberg's " Piano Piece ", op . 33a, tone row feature hexachordal combinatoriality and contains three perfect fifths each, which is the relation between P1 and I6.
12. There he became interested in the music of the composers of the Second Viennese School and went on to write a number of articles on twelve tone music, including the first description of combinatoriality and a serial " time-point " technique.
13. Milton Babbitt's serial theory of combinatoriality makes much of the properties of three-note, four-note, and six-note segments of a twelve-tone row, which he calls, respectively, " trichords ", " tetrachords ", and " hexachords ", extending the traditional sense of the terms and retaining their implication of contiguity.
14. "' Trichordal combinatoriality "'is a row's ability to form aggregates through the combination of trichords . " Trichordal combinatoriality involves the simultaneous presentation of four rows in parcels of three pcs . " The existence of trichordal combinatoriality, or any other form, in a row does not preclude the existence of other forms of combinatoriality ( at the least trivial hexachordal combinatoriality exists between every row form and its retrograde ).
15. "' Trichordal combinatoriality "'is a row's ability to form aggregates through the combination of trichords . " Trichordal combinatoriality involves the simultaneous presentation of four rows in parcels of three pcs . " The existence of trichordal combinatoriality, or any other form, in a row does not preclude the existence of other forms of combinatoriality ( at the least trivial hexachordal combinatoriality exists between every row form and its retrograde ).
16. "' Trichordal combinatoriality "'is a row's ability to form aggregates through the combination of trichords . " Trichordal combinatoriality involves the simultaneous presentation of four rows in parcels of three pcs . " The existence of trichordal combinatoriality, or any other form, in a row does not preclude the existence of other forms of combinatoriality ( at the least trivial hexachordal combinatoriality exists between every row form and its retrograde ).
更多例句：  下一页