hyperart造句
例句与造句
- Tokyo writer and conceptual artist Genpei Akasegawa published a book containing photographs of found objects which he termed " Hyperart Thomasson ".
- In 2010 the Chikuma ShobM edition of " ChMgeijutsu Tomason " was translated into English by Matt Fargo and published as " Hyperart : Thomasson ."
- He called such things Hyperart Thomasson ( named for Yomiuri Giants outfielder Gary Thomasson ) and published photographs of them first within the magazine " Shashin Jidai " and later within books.
- However, these objects do not appear to have a creator, making them even more art-like than regular art . " Hyperart cannot be created by an artist, but only found and recognized as such by an observer.
- Those pieces of hyperart that were part of buildings or the built environment were given the name " Thomasson . " The name was decided upon during a discussion between Akasegawa and his students during his class on " Modernology " ( a concept created by Wajiro Kon ).
- It's difficult to find hyperart in a sentence. 用hyperart造句挺难的
- Historian of modern Japan Jordan Sand's 2013 work, " Tokyo Vernacular : Common Spaces, Local Histories, Found Objects, " also discusses the Thomasson phenomenon in its third chapter, entitled " Deviant Properties : Street Observation Studies . " Sand also contributed an essay to the 2010 translation of " Hyperart : Thomasson ".
- The artists gave these objects names such as " The pure staircase of Yotsuya, " " The useless window of Ekoda " and " The useless gate of Ochanomizu " and referred to them collectively as " hyperart " : their similar characteristics being " an object which, just like a piece of art, has no purpose in society, but also, just like a piece of art is preserved with care, to the point where it appears to be on display.