merelli造句

• Maggie is a fan of Tito Merelli, and hopes to meet him ( and, she confesses to Max, she is romantically attracted to the famous opera singer ).
• After a chance meeting with Merelli close to La Scala, the impresario gave him a copy of Temistocle Solera's libretto which had been rejected by the composer Otto Nicolai.
• Following its failure, it is claimed Verdi vowed never to compose again, but in his " Sketch " he recounts how Merelli persuaded him to write a new opera.
• Merelli then offered to put on " Oberto " during the 1839 season and, after its premiere, " Oberto " was given a respectable 13 additional performances.
• In " An Autobiographical Sketch ", written in 1879, Verdi tells the story of how he came to be twice persuaded by Merelli to change his mind and to write the opera.
• When Donizetti arrived in Rome, carrying a letter of introduction from his teacher and mentor Johann Simon Mayr to poet and librettist Jacopo Ferretti, he secured his help in revising Merelli's text.
• For Donizetti, the result was a further commission and, using another of Merelli's librettos, this became the one-act, " Una follia " which was presented a month later.
• Bartolomeo Merelli, who ran La Scala, gave " Oberto " 14 performances in its first season and signed Verdi to write three more operas, the second of which became " Nabucco,"
• The Teatro alla Scala impresario Merelli insisted on using the " opera seria " singers previously assembled for Nicolai's opera, which had toured in Milan, thus contributing to the disaster experienced by Verdi.
• But Merelli would accept no refusal and he immediately stuffed the papers back into Verdi's pocket and " not only threw me out of his office, but slammed the door in my face and locked himself in ".
• Merelli, in his " Cenni biografici ", blamed the failure of the work, despite " many successful numbers ", on the " caprices and ill will of several of the singers, especially the prima donna ".
• He was particularly incensed when he discovered in early September 1839 that Merelli, without consulting him, was mounting a production of " Gianni di Parigi " which, though composed between 1828 and 1832, had never appeared on stage.
• As Scene I of the play opens, Henry Saunders, general manager of the Cleveland Grand Opera Company, is anxiously awaiting the arrival of Tito Merelli, a world-famous Italian opera tenor, known as " Il Stupendo " to his many fans.
• An early 20th century biography of Verdi, as well as one written in 1938 about Strepponi's life by Mercede Mandula, both propose that Strepponi became Merelli's lover in the early 1840s and it is claimed that this relationship resulted in another illegitimate child.
• They are looking for " a lunatic dressed as Othello, who thinks he's Tito Merelli . " During Max's performance, the " lunatic " tried to force his way into the opera house, hit a policeman who tried to stop him, and ran away.
• It was not a success; Bartolomeo Merelli, the librettist, later blamed Eckerlin in part for its failure, writing in his " Cenni biografici " that the piece had faltered due to the " caprices and ill will of several of the singers, especially the prima donna ".
• The La Scala impresario, Bartolomeo Merelli, agreed to put on " Oberto " ( as the reworked opera was now called, with a libretto rewritten by Temistocle Solera ) in November 1839 . It achieved a respectable 13 additional performances, following which Merelli offered Verdi a contract for three more works.
• The La Scala impresario, Bartolomeo Merelli, agreed to put on " Oberto " ( as the reworked opera was now called, with a libretto rewritten by Temistocle Solera ) in November 1839 . It achieved a respectable 13 additional performances, following which Merelli offered Verdi a contract for three more works.
• In his recollections in 1881 ( quoted in Budden ) following his return to Milan from Busseto in 1838, Verdi describes how he was invited to meet the La Scala impresario, Bartolomeo Merelli, who had heard a conversation about the music of the opera between soprano Giuseppina Strepponi and Giorgio Ronconi in which she praised it.
• After the success of his first opera, " Merelli to write three more operas . " Un giorno " was first of the three, but he wrote the piece during a period when first his children and then his wife died and its failure in 1840 caused the young composer to almost abandon opera.