merelli造句

• Ferretti worked on revising Bartolomeo Merelli's libretto for the opera.
• Later, Donizetti turned against Merelli after unsatisfactory productions of his operas at the K鋜ntnertor Theatre.
• Merelli now proposed to Verdi a contract for three new operas, and Verdi accepted it.
• Its disastrous premiere in March 1841 forced Nicolai to cancel his contract with Merelli and return to Vienna.
• Despite Donizetti's friendship with Merelli, the composer frequently complained about the impresario's bad judgement.
• The audience will never know that it is not Tito Merelli, and they can announce Tito's death tomorrow morning.
• After refusing to accept the libretto proposal from Merelli, Nicolai began work on another offer called " Il Proscritto ."
• This may be the score which Donizetti presented to Rubini, who presumably passed it through the hands of Giovanni Ricordi to Merelli.
• Merelli is coming to Cleveland to sing the lead role in a performance of Giuseppe Verdi's " Otello ".
• Merelli himself even had a hand in it, advising Verdi to compose a scena and quartet for Act 2, scene 2.
• The press was lukewarm, and Merelli was negotiating with Ricordi about the sale of the full score behind Verdi's back.
• Merelli and the pianist return and are joined by Luigi Barbiano, Conte di Belgioioso, who brings the approval of the libretto.
• A sellout crowd and the members of the Cleveland Opera Guild will be at the opera house that evening to see the great Merelli.
• Saunders has charged Max with seeing to Merelli's needs, and with getting Merelli to the opera house in time for the performance.
• Saunders has charged Max with seeing to Merelli's needs, and with getting Merelli to the opera house in time for the performance.
• In 1882 she joined Bartolomeo Merelli's traveling opera troup with whom she performed in Berlin ( 1882 ) and Prague ( 1883 ).
• A few seconds later, Tito Merelli returns to the hotel suite, also dressed as Othello, in a costume, wig, and blackface makeup.
• From 1829 to 1850, Merelli managed La Scala, initially in partnership with others, who included Domenico Barbaia, and then by himself from 1835.
• In Milan she first went to audition with the impresario Bartolomeo Merelli, but was so struck with fright that she could not produce any sound at all.
• The composer swore that he would never again speak to Merelli or his staff, nor would he ever set foot again on the stage of la Scala.