motoori造句

• The thinkers included such men as Kamo Mabuchi ( 1697-1769 ), Motoori Norinaga ( 1730-1801 ), and their successors, such as Hirata Atsutane ( 1776-1843 ).
• Motoori Norinaga, and later Hirata Atsutane, based their research on the " Kojiki " and other classic ShintM
  texts which teach the superiority of the Sun Goddess " Amaterasu ".
• Through his study of " Kojiki ", Motoori Norinaga argued that the essence of the Japanese literature came from " mono no aware " which was natural feelings to occur when you contacted with an object.
• Following in the footsteps of the greatest scholar of nativist studies of the Edo period, Motoori Norinaga ( 1730-1801 ), Hiromichi, did much to promote scholarship on " Genji ".
• In the 18th century, various Japanese scholars, in particular Motoori Norinaga (, gE \ ?[ w? 1730 1801 ), tried to tear apart the " real " Shinto from various foreign influences.
• In his " Kojiki-den ", a ground-breaking commentary on the Kojiki, the great Kokugaku scholar Motoori Norinaga asserted that it referred to one of the small islands near Awajishima ( e . g.
• Is a popular Japanese children's song with lyrics written by UjM
  Noguchi ( 螒鉙钖?` " Noguchi UjM
  " ) and composed by Nagayo Motoori (, gE \ w?N " Motoori Nagayo " ).
• Is a popular Japanese children's song with lyrics written by UjM
  Noguchi ( 螒鉙钖?` " Noguchi UjM
  " ) and composed by Nagayo Motoori (, gE \ w?N " Motoori Nagayo " ).
• The Edo Period philosophers Arai Hakuseki and Motoori Norinaga began the controversies over whether Yamatai was located in Kyushu or Yamato and whether the " Wei Zhi " or the " Nihon Shoki " was historically more trustworthy.
• Hiromichi s extant poems are not similar to the classical Man'yM
  shk
  style poems associated with Motoyoshi, but like Motoyoshi, he expressed deep admiration for the work of the leading nativist scholars of his age such as Kamo no Mabuchi and Motoori Norinaga.
• Ueda took a highly independent position within these circles, and his vigorous polemical dispute with the leading scholar of the movement, Motoori Norinaga, is recorded in the latter's dialogue " Kagaika " ( " uTRm?" 1787 1788 ).
• Aizawa developed his ideas of " kokutai " using the scholarly arguments of Motoori Norinaga ( 1730 1801 ) that the Japanese national myths in the Kojiki and Nihon Shoki were historical facts, believing that the Emperor was directly descended from the sun goddess Amaterasu-M
  mikami.
• He hypothesized that a king from Kumaso sent emissaries who masqueraded as Jingk
  's officials to the Wei court, thus leading Wei to mistake them for representatives of Himiko . says, " Motoori's usurpation hypothesis ( " gisen setsu " ) carried great weight for the next century ."
• To be precise Motoori ( " Kojiki-den ", 1822 ) stated that the " "-chi " " root was a, and that it occurred in the name of the great serpent Yamata no Orochi, as well as in the names of the serpent's victims named.
• In addition, he co-edited a standard dictionary of early Japanese, the " Iwanami Kogo Jiten " ( 1974, second revised edition, 1990 ), and co-edited a new edition of the complete works of Motoori Norinaga, the greatest scholar of Kokugaku ( 1968 & ndash; 1993 ).
• Lucy Wright believes that Nausicaa's world-view reflects a Shinto worldview, as expressed by Motoori Norinaga : " this heaven and earth and all things therein are without exception strange and marvelous when examined carefully . " Wright believes that Nausicaa is presented as a " healing deity ", as she is concerned with the space between purity and corruption, as well as atones for the wrongs of other people.
• One such adherent, Motoori Norinaga, opined in his " Kojiki-den " that the Ise " Fudoki "'s placing the deity's surrender during the time of Jimmu was merely an error encouraged by the mention of " The great rock / Of the Sea of Ise / Where blows the divine wind " ( " Kamukaze no / Ise no umi no / L
  ishi ni ya " ) in a poem attributed to Jimmu in the " Nihon Shoki ".
• Harmonizing the " Kojiki "'s account with the Ise " Fudoki "'s, Motoori proposed that Isetsuhiko / Takeminakata first fled to Ise before going to Suwa, claiming that a stone chamber in Nagano City is dedicated to Isetsuhiko, although it indeed became a " Suwa-daimyM
  jin " shrine during the medieval period and thus may have escaped Motoori's attention ), whereas there is a shrine to Takeminakata in Ise listed in the " Ise nisho-daijingk
  -jinmyM
  -hisho "(
• Harmonizing the " Kojiki "'s account with the Ise " Fudoki "'s, Motoori proposed that Isetsuhiko / Takeminakata first fled to Ise before going to Suwa, claiming that a stone chamber in Nagano City is dedicated to Isetsuhiko, although it indeed became a " Suwa-daimyM
  jin " shrine during the medieval period and thus may have escaped Motoori's attention ), whereas there is a shrine to Takeminakata in Ise listed in the " Ise nisho-daijingk
  -jinmyM
  -hisho "(