remacha造句
例句与造句
- Within this context, Remacha's return to music took place through teaching and the composition of music for piano and for the Navarrese choirs with which he came into contact.
- In the works that were composed without conditioning of any type, Remacha maintained links with the pre-war period, developing at the same time a very particular expressionistic vision.
- Remacha's work at Filmofono evolved from the mere synchronisation of records ( in the silent-film period ) to tasks as the genuine manager and technical expert in musical affairs.
- In this way musical genres that Remacha had hardly dealt with prior to the war came to acquire considerable importance, since these were the works that could have the most immediate impact.
- In Spain, Manuel de Falla's neoclassical Generaci髇 del 27 ), including Juli醤 Bautista, Fernando Remacha, Salvador Bacarisse, and Jes鷖 Bal y Gay (;;; ).
- It's difficult to find remacha in a sentence. 用remacha造句挺难的
- 1930 was an important year in Remacha's career as a composer since it marked the presentation of the Grupo de Madrid, formed with Salvador Bacarisse, Julian Bautista, Spanish Republic.
- The carelessness and abandon he showed for his scores and the scant importance he attributed to them was also reflected in disillusionment that Remacha felt for composition in the last years of his life.
- Indeed, in the last years of Remacha's life it appeared that the musical circles wished to compensate him for the silence in which he had been enveloped in the post-war period.
- This attitude aroused the admiration and respect of the most representative Spanish avant-garde composers of the times, a position that Remacha did not find comfortable because of his characteristic modesty and scant selfesteem.
- During his period as a student in Madrid, Remacha also played in the Orquesta de Revista y Zarzuela, which performed at the Teatro Apolo and provided him with a wage of twelve pesetas a day.
- At the same time, as a result of the contests in which Remacha took part and the commissions that were made to him, a regionalist component arose in his work which added nothing new to his compositions.
- The Premio de Roma awarded to Remacha by the Royal Academy of Fine Arts of San Fernando meant four years of studies with lodging at the Accademia di San Pietro in Montorio, at that time under the direction of the painter Eduardo Chicharro.
- The circumstances and the haste that marked his composition is reflected in his short catalogue of pieces, to which Remacha himself referred on receiving his Third National Music Prize in 1980 : " For reasons beyond my control, I am a musician without music.
- Directed by Will Gould; written by Charles Lambert and Matthew Read, based on a play by Lambert; director of photography, Laura Remacha; edited by Carol Salter; music by Basil Moore-Asfouri; produced by Lambert; released by First Run Features.
- In 1951 the Pamplona City Council commissioned him to compose " Visperas de San Fermin " ( " On the Eve of San Fermin " ) and, with the opening performance of this work in Madrid in 1952, Remacha succeeded in being noticed again by the Spanish music critics.
