remacha造句

• In 1957 Remacha moved to Pamplona to start up the Pablo Sarasate Conservatory.
• Certain anecdotal circumstances explain the idiom used in some of Remacha's works.
• Remacha completed his Roman period in 1927.
• Fernando Remacha died on 21 February 1984.
• Remacha had been suffering from a devastating illness, Parkinson's disease, since the sixties.
• Despite this, it should be noted that in all his compositions Remacha tried to assimilate this regionalism with his own traits.
• Aside from this Remacha composed a large quantity of choral music which may be divided between original compositions and harmonisations or adaptations.
• The end of the Civil War found Remacha and his wife in Barcelona, and from there they took refuge across the French border.
• The financial situation of the Accademia at the time of Remacha's arrival in September 1923 was precarious, but the grant was maintained.
• At the Accademia di Roma, Remacha lived with other grant winners who were among the artistic and intellectual promises of the Spain of those years.
• Remacha received his first Premio Nacional de M鷖ica ( National Music Prize ) in 1933 for his " Quartet for Violin, Viola, Cello and Piano ".
• For its part, the Institucion Principe de Viana organised the Remacha Memorial, holding three concerts to promote acquaintance with some of the composer's works.
• Remacha's cinema activity was also linked to the firm Cinematiraje Riera, engaged in copying films, which called on Remacha's services and knowledge in 1932.
• Remacha's cinema activity was also linked to the firm Cinematiraje Riera, engaged in copying films, which called on Remacha's services and knowledge in 1932.
• In 1963 the present-day building of that institution was erected and, under Remacha's direction, it became a point of reference in the Spanish music world.
• Within this context, Remacha's return to music took place through teaching and the composition of music for piano and for the Navarrese choirs with which he came into contact.
• In the works that were composed without conditioning of any type, Remacha maintained links with the pre-war period, developing at the same time a very particular expressionistic vision.
• Remacha's work at Filmofono evolved from the mere synchronisation of records ( in the silent-film period ) to tasks as the genuine manager and technical expert in musical affairs.
• In this way musical genres that Remacha had hardly dealt with prior to the war came to acquire considerable importance, since these were the works that could have the most immediate impact.
• In Spain, Manuel de Falla's neoclassical Generaci髇 del 27 ), including Juli醤 Bautista, Fernando Remacha, Salvador Bacarisse, and Jes鷖 Bal y Gay (;;; ).