Tax planning must be legitimate to prevent shaken into the wrong to produce results ; at the same time we must pay attention to the complexity of the production and operation of enterprises , taken together , could not attend 税收筹划必须合法，防止走偏，使结果适得其反；同时要注意企业生产经营的复杂性，综合考虑，不能顾此失彼。
This might make them show a dauntless and stalwart spirit when they wanted to get their benefits and in other works , but in other hands , they might be fooled and dallied , let them attended to one thing and lose another 这也可能使他们在争取自己的利益或创造性的劳动上，表现出一种不屈不挠的顽强精神，但更大的可能倒是被人愚弄，被人戏耍，让他们顾此失彼，大上其当。
Therefore , in choice of the principle of distribution , " efficiency first " , " fairness first " or " consideration for both " are not appropriate to be put forward or advocated , because these initiations cannot keep pace with the trend of construction of a harmonious society 因此，在分配原则的选择上，不宜再提“效率优先” ，也不宜提“公平优先”或“兼顾效率与公平” ， “优先”或“兼顾”难免有顾此失彼之误。
In conclusion , the inharmonious problem between the protection and exploitation of geological remains makes people think they are contradictory . when its value had been utilized adequately , the remains was not destroyed , which wasted the resources " potencies 总之，在地质遗迹资源保护利用上存在着顾此失彼的不协调现象，在资源遭到破坏的同时，也使资源的价值未能得以充分体现，实际上是对资源潜力的一种浪费。
Although finance control of enterprise group management has an important role on enterprise group management control , after all the finance management is just part rather than the whole . if only talking the finance control , we will sink dilemma 企业集团财务控制虽然在集团管理控制中占据非常重要的地位，但毕竟财务管理只是企业集团管理的一个组成部分而非全部，如果就财务控制谈财务控制，难免陷入顾此失彼的境地。
Apparently , the director was setting his ambition a little bit high . there were a lot he wanted to do , but with various reasons including his lack of experience , the overall result turned out to be not as breathtaking as expected . nevertheless , i wouldn t call it a failure 这是一部野心颇大的作品，但眼高手低的编导看来经验有点不足，处理太过复杂多变的剧情时出现顾此失彼的问题，顾得奇情却疏于爱情，整体成绩不能算是让人非常满意。
They have showed us the fact that there is great possibility to practice the new teaching method , and with a bright future . but it is emphasized in the thesis that teachers should try to avoid taking the literature in films and on tv class as a place to enjoy foreign films 还要充分解决好语言能力的培养及提高与对文学作品的欣赏及文化的理解的矛盾，即要提高语言技能，适应社会的要求，又要通过文学作品的欣赏，提高文化意识，使二者有机地结合，不要顾此失彼。
In the aspect of relationship between literary theory and literary practice , literary theory is always legged behind practice ; from the character of theory , any literary theory is derived from the thinking which is limited to certain fields and certain angle ; from the development process , there is no eternal form , principle , concept and terminology ; from the qualities of literary theory , it includes some subjective factors which can distort art phenomena ; from the constitution of literary theory , internal study can hardly achieve a balance with external study 原因是：从文艺理论与艺术实践的关系中看，文艺理论永远是滞后的；从特点上看，任何文艺理论都是在某种领域和某种角度对文学的思考，其结果是“顾此失彼；从发展过程看，文艺理论没有永恒的形态、原理、观念、术语；从文艺理论的自性上看，其所蕴含的主观成分，使曲解客观的艺术事实现象根本无法避免；从文艺理论的构成看，其内部研究和外部研究从来就没有平衡过。
China has achieved rapid economic growth during the past two decades since economic reform begins in 1979 , however , the income inequality markedly increases during the same period . therefore , it is very important to study the relationship between distribution and growth 在经济发展过程中，推动经济增长的各种因素与收入不均的变动究竟如何相互影响，是否两者必然顾此失彼，存不存在两者兼顾和相互促进的发展道路与模式，这不仅具有深刻的理论意义，而且具有紧迫的现实意义。
Get in contemporary the public culture the television culture landscape of the soldier descend , the record a creation presents a sturdy and popularize development trend , this doubtless is a the piece makes delighted matter in person . from the so - called and new record in china a sport creates of the end of 80 ' s of last century up to now , its culture mindset experienced the elite culture are cultural with the public versus , consume and blend of evolve the process , record a slice of hasing been oscillation in enlighten with amuse , culture with appreciate beauty of took care of a thing and miss the other perplexed 在商品经济大潮中裹挟之下,经济效益之上的创作主旨横扫着电视市场以及整个社会时,电视纪录片的审美意义与启蒙责任受到了空前的挑战。在当代大众文化领军的电视文化景观下,纪录片制作呈现出强劲的大众化发展趋势,这无疑是一件令人欣慰的事。从上世纪80年代末的中国所谓新纪录片运动发轫至今,其文化取向经历了精英文化与大众文化的对抗、消解与融合的演化历程,纪录片一直在启蒙与娱乐、教化与审美的顾此失彼中彷徨迷惘。
