arniches造句

• He became friends with contemporary literature and art personages such as Carlos Arniches, Francisco de Cossio, Jacinto Guerrero, Federico Moreno Torroba, Mariano Benlliure and others.
• After starting his career as a novelist and journalist, Arniches turned to theatre in 1888 with the publication of his first play, " Casa editorial ".
• Following the consolidation of the Franco regime after the Spanish Civil War, the social dramas of Carlos Arniches were among the relatively non-controversial plays allowed by the new government.
• A prolific composer, Gim閚ez also collaborated with the leading authors of " sainetes " ( a comic genre found in Spanish theatre ), including Ricardo de la Vega, Carlos Arniches, the brothers melodies.
• Arniches was complimented in a 1935 interview by Federico Garc韆 Lorca, often a scathing critic of contemporary Spanish theatre, as'more of a poet than almost any of those who are writing theatre in verse at the moment '.
• A strong current of " costumbrismo " continued in 20th-century Madrid, including in poetry ( Antonio Casero, 1874 1936 ) and theater ( Jos?L髉ez Silva, 1860 1925; Carlos Arniches Barreda, 1866 1943 ).
• He performed in plays such as " En un burro tres baturros " by Alberto Novi髇 from Argentina, " A Campo Atraviesa " by Felipe Sassone from Peru, and " Argentino en Madrid ", as well as French vaudevilles and the Spanish comedies of Carlos Arniches, Navarro y Torrado, Linares Rivas, Joaqu韓 Dicenta, Jacinto Benavente and others.
• He has published the plays  11-N,  Sin m髒il aparente (  For no Apparent Reason ), finalist of the IIIrd  Teatro Expr閟 Award 2002,  Alicia frente al espejo (  Alice Facing the Mirror ),  Tu imagen sola (  Your Lonely Picture ), written in collaboration with Borja Ortiz de Gondra and winner of the XIXth  Carlos Arniches-Ciudad de Alicante Award 2003,  El lado oeste del Golden Gate (  The West Side of the Golden Gate ), finalist of the XXXIIIrd Born Award 2008, and " Justo en medio del paralelo 38 ", finalist of the XXXVIth Born Award 2011.
• The writers closely aligned with the Franco regime ( Manuel Machado's brother Antonio, a living symbol of the fratricidal division; Eduardo Marquina, Eugenio d'Ors, Vicente Risco, Lorenzo Villalonga, Julio Camba, Wenceslao Fern醤dez Fl髍ez, Manuel Garc韆 Morente, Tom醩 Borr醩, Jacinto Miquelarena, Jos?Mar韆 de Coss韔, the Marqu閟 de Lozoya, Rafael S醤chez Mazas, V韈tor de la Serna, Jos?Mar韆 Pem醤 ( the'minstrel of the Crusade'), Ernesto Gim閚ez Caballero, Manuel Halc髇, Juan Antonio Zunzunegui, 羘gel Valbuena Prat, Eugenio Montes, Samuel Ros, Agust韓 de Fox? Luis Rosales, Jos?Mar韆 Gironella, Jos?Luis Castillo-Puche, Emilio Romero ) or those who for one reason or another tried a compromise approach, with different reception from the regime ( Jos?Mart韓ez Ruiz ('Azorin'), Jacinto Benavente, Ram髇 P閞ez de Ayala, Carlos Arniches, bilingual Catalan language-writer Josep Pla, and have been mostly a common destiny in their assessment by subsequent literary criticism; relatively speaking, somewhat similar to the relegation and contempt suffered by intellectuals who supported the European Fascist regimes after their defeat ( examples include Louis-Ferdinand C閘ine, Martin Heidegger and Ezra Pound ).