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aroldingen造句

造句与例句手机版
  • Cook's concern is the opposite of Ms . von Aroldingen's in Toulouse.
  • The original cast included Karin von Aroldingen, Susan Hendl, Kay Mazzo, and Peter Martins.
  • "It's not always true that less is more, " declares Karin von Aroldingen.
  • The second work was Balanchine's " Stravinsky Violin Concerto, " staged impeccably by Karin Von Aroldingen.
  • All of Balanchine's ballets matter to Ms . von Aroldingen, but " Liebeslieder " may matter most.
  • To teach it, Ms . von Aroldingen enlists the help of Michel Rahn, the company's teacher, who worked with Balanchine.
  • Karin von Aroldingen, one of the City Ballet performers to whom Balanchine left his ballets, is the eloquently poetic dreamer of the group.
  • The choreography, supervised by Karin von Aroldingen and Richard Tanner of the City Ballet, is the same as the uncut version restored to that company this season.
  • For a compelling model, they need only look at Ms . von Aroldingen as she performs for them passages in question, the male roles as well as the female.
  • And that's why " more " is what Ms . von Aroldingen wants from them _ more presence, more openness, more fluidity, more letting go.
  • It's difficult to see aroldingen in a sentence. 用aroldingen造句挺难的
  • In this uncut " Apollo " ( supervised by Karin von Aroldingen and Richard Tanner from City Ballet ), using stylized Greek costumes, Ballet Theater restored the dramatic action that was once common to the ballet.
  • The Russian balletmaster and choreographer Victor Gsovsky had seen Carli dancing at the Teatro Col髇 in Buenos Aires, and brought her to Europe, where he partnered her with Robert de Warren, to replace Karin von Aroldingen who had left Frankfurt to join John Taras at New York City Ballet.
  • For the last six years, she has traveled to the Kirov Ballet in St . Petersburg, Russia; the Royal Danish Ballet; the Paris Opera Ballet, and other places, coaching dancers and staging Balanchine ballets for the Balanchine Trust, an organization separate from the New York City Ballet, which was established in 1987 by two former Balanchine associates, Barbara Horgan and Karin von Aroldingen, to oversee the leasing and staging of Balanchine's work, and to maintain its integrity.
  • His numerous dance photographs include Martha Graham, Vera Zorina, Andr?Eglevsky, Rudolf Nureyev, Mikhail Baryshnikov, Suzanne Farrell, Peter Martins, Heather Watts, Darci Kistler, Barbara Fisher, Kyra Nichols, Alicia Markova, Erik Bruhn, Carla Fracci, Natalia Makarova, Judith Jamison, Violette Verdy, Allegra Kent, Patricia McBride, Jos?Lim髇, Dame Margot Fonteyn, Agnes de Mille, Anton Dolin, Alexandra Danilova, Maria Tallchief, Lupe Serrano, Tanaquil LeClercq, Jillana, Diana Adams, Rosella Hightower, Gelsey Kirkland, Cynthia Gregory, Karin von Aroldingen, Kay Mazzo, Fernando Bujones, Jacques d'Amboise, Edward Villella, Alicia Alonso, and many others.
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