bareau造句

• By 1967, Bareau was editor-in-chief.
• Bareau ( 1955 : 143 ) provides the arguments of the Sarv
  
  stiv
  
  da as follows:
• Wilson-Bareau proposes an alternate explanation for the origin of the self-portraits.
• The magazine was relaunched in 1961 by IPC Magazines, with Paul Bareau as editor.
• Wilson-Bareau has also questioned the authorship of other supposed Goyas, especially several portraits.
• Wilson-Bareau wrote, " Almost all of us specialists are agreed that it's not by Goya ."
• Wilson-Bareau said, " Almost all of us specialists are agreed that it's not by Goya ."
• All but three of the lots were sold, according to Oliver Bareau of Sotheby's, many of them to other restaurants.
• Bareau traces the origin of the Mah
  
  y
  
  na tradition to the older Mah
  
  s
  
  Cghika schools in regions such as Odisha, Kosala, Ko駅ana, and so on.
• Ms . Wilson-Bareau calculated that Manet did his original sketch from the tiny garden of a new row of apartment buildings on the Rue de Rome.
• Andr?Bareau has stated that there can be found Mah
  
  y
  
  na ontology prefigured in the Mah
  
  s
  
  Cghika schools, and has offered an array of evidence to support this conclusion.
• Opposing them were the Mah
  
  s
  
  Cghika, early Mah +
  [
  
  
  saka, Therav
  
  da, Vibhajyav
  
  da and the Z
  
  
  riputra Abhidharma ( possibly Dharmagupta ) ( Bareau 1955 : 291 ).
• But one of the most respected experts on Goya, Juliet Wilson-Bareau of Britain, asserts that some 150 of the more than 700 accepted Goyas are mistakenly attributed.
• And for Juliet Wilson-Bareau, an expert on Goya's drawings, " the edition they altered was itself a desecration of Goya's original prints ."
• According to Bareau, the oldest core components of all these accounts are just the account of the Buddha's parinirv
  
  Ga itself at Ku [
  inagara and the funerary rites following his death.
• One of the most respected experts on the artist, Britain's Juliet Wilson-Bareau, asserts that some 150 of the more than 700 accepted Goyas are mistakenly attributed to the artist.
• To her delight, Ms . Wilson-Bareau discovered that one was the door to Manet's studio at 4 Rue de St .-Petersbourg, where he worked from 1872 to 1878.
• However, one of the most respected experts on the artist, Britain's Juliet Wilson-Bareau, asserts that some 150 of the more than 700 accepted Goyas are mistakenly attributed to the artist.
• The director's remarks came after the museum's top Goya specialist, curator Manuela Mena expressed wholehearted support for British art historian Juliet Wilson-Bareau, who says the two works are mistakenly attributed to Goya.
• Considering renaming it Ch鈚eau Certan, Moueix consulted with the neighboring properties also bearing the Certan name, and while the Thienponts at Vieux Ch鈚eau Certan had no objections, Madame Bareau-Bader of Ch鈚eau Certan-de-May disapproved.