bendazzi造句

• Bendazzi wrote that McCay overcame this overt experimentalism in " How a Mosquito Operates ".
• Norshteyn wrote an essay for a book by Giannalberto Bendazzi about the Alexandre Alexe飁ff titled " Alexeieff  Itinerary of a Master ".
• Animation historian Giannalberto Bendazzi assessed " The Idea " as " one of the rare films in which political commitment does not conflict with lyricism ".
• Animation historian Giannalberto Bendazzi saw the transforming series of images in the plotless " Nemo " serving as little more than a demonstration of the animation medium's capabilities.
• Animation historian Giannalberto Bendazzi has called Hurd " probably the best American animator of his time " after Bray and said of his films that they " display an uncommon visual inventiveness, gentle humour and attention to drawing and scenography ".
• The jury was composed of Giannalberto Bendazzi ( a professor of the history of animation at Milano State University in Italy ), Noriko T . Wada ( a Japanese producer ) and Kyung-jo Min ( a South Korean director ).
• The creator of Amelia in " Simon Boccanegra ", the dramatic soprano Luigia Bendazzi ( 1829-1901 ) achieved a notable success in the role at the Teatro San Carlo in 1851, selecting it for the next production after her d閎ut, the success of which launched a major career.
• Selwood is a featured artist in the 2013 book " ANIMATION SKETCHBOOKS " by Laura Heit; 2006 The Fundamentals of Animation by Paul Wells; 2003, Animac Magazine : Writings on Animation by GIannalberto Bendazzi, George Griffin and Mario Sesti; 1996 The Encyclopedia of Animation Techniques by Richard Taylor; 1994 Cartoons : One Hundred Years of Cinema Animation by Gianalberto Bendazzi and 1988 Experimental Animation : Origins of a New Art edited by Robert Russett and Cecile Starr.
• Selwood is a featured artist in the 2013 book " ANIMATION SKETCHBOOKS " by Laura Heit; 2006 The Fundamentals of Animation by Paul Wells; 2003, Animac Magazine : Writings on Animation by GIannalberto Bendazzi, George Griffin and Mario Sesti; 1996 The Encyclopedia of Animation Techniques by Richard Taylor; 1994 Cartoons : One Hundred Years of Cinema Animation by Gianalberto Bendazzi and 1988 Experimental Animation : Origins of a New Art edited by Robert Russett and Cecile Starr.
• Even when they decided to separate and make their own films, their style was marked by an extensive aesthetic search for, as Bendazzi puts it, " the combination of realism and the baroque ", most clearly to be seen in " Not in the Hat is there Happiness " ( 1968, by Serebrjakov ) and especially in Kurchevskiy's masterpiece, " The Master of Clamecy " ( 1972, after Romain Rolland's novel " Colas Breugnon " ).