buttel造句

• The eeriness that Buttel mentioned continues to the end of the poem.
• Buttel interprets the poem as evoking urban emptiness under the influence of Jules Laforgue.
• Buttel detects Imagistic technique in the poem's Whitman-like naming of physical details.
• Buttel cites this poem as an example of Stevens's mastery of repetition within free verse.
• A prominent scholar of the sociology of agriculture, Buttel also was well known for his contributions to environmental sociology.
• Myrtle Buttel, a retired kindergarten teacher, who taught Zimmerman's son, said with an expression of anguish.
• Buttel lists this poem as among a few from " Harmonium " that anticipate Stevens's later poetry.
• Buttel detects the influence of Walt Whitman in the poem's expansive wit, exaggeration and slap at the blue laws.
• It is one of the two earliest Stevens poems to combine wit and elegance, according to Buttel, the other being " symbolism.
• Buttel forgoes this interpretation in favor of the idea that the poem celebrates the poetic counterpart of a painter's " primitive eye ".
• He co-edited " Wallace Stevens : A Celebration " ( Princeton University Press 1980 ) with Robert Buttel of Temple University.
• Her work grew from the observations of previous scientists ( Forel, Buttel-Reepen, von Frisch ) and helped inspire further experimentation ( Wahl, Renner ).
• Buttel cites this poem to illustrate the rhythmic effects of Stevens's free verse, comparing and contrasting its effects with those of " Infanta Marina ".
• Buttel was editor of the journal, " Research in Rural Sociology and Development ", and co-editor of " Society & Natural Resources ".
• Buttel prefers to view the later work as " a kind of exfoliation " of his earlier style, the later poems " adumbrated " in " Harmonium ".
• The species was first described by Hugo Berthold von Buttel-Reepen, who dedicated it to Grigory Aleksandrovich Kozhevnikov ( 1866 1933 ), a pioneer of honey bee ICZN ).
• Buttel proposes that the title " alludes humorously to the Cubists'practice of incorporating into unity and stasis a number of possible views of the subject observed over a span of time ."
• Robert Buttel observes that each of the four sections has its " appropriate rhythms and tonalities ", reading the poem as " part of the general movement to bring music and poetry closer together ".
• Buttel notes that the buzzard appears frequently in native folk and humorous literature, and that Stevens uses it several times in his poems, " along with bantams, grackles, and turkey-cocks ."