canntaireachd造句

• Violaine Mayor is a Breton wire-strung harper who has mastered canntaireachd chanting.
• Tutorials are in " canntaireachd ", spoken word, and on practice chanter.
• There was reportedly a third lost volume of the Campbell canntaireachd manuscripts dating from the late 18th century.
• The Alt Pibroch Club website has made a range of these Canntaireachd manuscripts available online as a comparative resource.
• Brown has researched pibroch documented in historical manuscripts, focusing particularly on the " Campbell Canntaireachd MS ".
• The MacArthur family of pipers are reported to have had their own oral form of Canntaireachd system that was not documented.
• He has made his analysis of pibroch canntaireachd, ornamentation and performance techniques available as an online resource with recorded audio demonstrations.
• Among traditional musicians, strathspeys are occasionally transmitted as canntaireachd, a style of singing in which various syllables stand in for traditional bagpipe ornaments.
• It is assumed that different lineages of pipers developed distinct forms of Canntaireachd that were variations on a broadly similar system of sung vocable notation.
• The site makes freely available a comprehensive resource of largely unpublished early manuscripts of pibroch notation and canntaireachd from the late 18th and early 19th century.
• Nevertheless, Cambell's Nether Lorn Canntaireachd was adopted by the Piobaireachd Society in their publications and has become the most commonly used vocable system.
• A further variety of Canntaireachd and distinct collection of pibroch tunes was sourced from Simon Fraser, whose family emigrated to Melbourne in the 19th century.
• The practice of canntaireachd singing remains the preferred means for many pipers to convey the musicality and pacing of pibroch performance when teaching or rehearsing a tune.
• Canntaireachd was first written down at the end of the 18th century in the " Campbell Canntaireachd " by Colin Cambell of Nether Lorn, Argyll.
• Canntaireachd was first written down at the end of the 18th century in the " Campbell Canntaireachd " by Colin Cambell of Nether Lorn, Argyll.
• His performances on this recording draw on early manuscript sources such as the Colin Campbell Canntaireachd ( 1797 & 1814 ) that pre-date MacKay's standardised versions.
• The pibroch " Couloddins Lament " in the " Campbell Canntaireachd " manuscript appears in MacKay's book with the title " Lament for Patrick Og MacCrimmon ".
• The " Campbell Canntaireachd ", written in 1797, is a two-volume manuscript with chanted vocable transcriptions of pibroch music that predates the 19th-century attributions.
• At the William Kennedy International Piping Festival ( 2009 ), held in Armagh, Barnaby Brown conducted workshops on the chanting of Irish associated pibroch canntaireachd from the Campbell Canntaireachd manuscript.
• At the William Kennedy International Piping Festival ( 2009 ), held in Armagh, Barnaby Brown conducted workshops on the chanting of Irish associated pibroch canntaireachd from the Campbell Canntaireachd manuscript.