commissura造句

• Some of the devices named are : " commissura " ( passing note dissonances ), " fuga " ( melodic imitation of varying kinds ), " repetitio " ( the repetition of a section for dramatic effect ), " climax " ( passages in parallel tenths ), " complexio " ( the reprise of an opening passage at the end to make a cohesive statement ), " homoioteleuton " ( the dramatic use of silence & mdash; by inserting a sudden rest for rhetorical effect ) ( in this Nucius is one of the first music theorists to recognize the powerful musical use of silence, an idea which was to attain fame in modern times in the work of John Cage ), and " syncopatio " ( syncopation, for rhythmic enhancement ).