excitants造句

• It is of two kinds : [ Alambana ], the personal or, human object and substratum, and Uddipana, the excitants.
• These primitive immaterial forces, so closely united as to form but one being ( essence ), acquire definiteness or form through the action upon them of stimuli or excitants from the outer world.
• Vibhavas means Karana or cause : it is of two kinds-" Alambana ", the personal or human object and substratum, and " Uddipana ", the excitants.
• R鰏chlaub helped to bring out the dynamic interplay between the outer stimulant ('excitant') and the inner life potential ( excitability ) resulting in the activity known as life ( biological excitation ).
• As per the Rasa of Heroic devotion in compassion the enhancing excitants include transitory emotions such as impatience, understanding and happiness, and Krishna in some disguised form is offered by the hero, motivated by kindness, his own body.
• And there are not many vocal inflections more delicious ( or tinier ) than the hint of a chanteuse's sexy growl in her first recording of the Satie song about the little girl who dances at the Empire : " C'est a la fois, tres innocent, et tres, tres excitant ."
• In the Indian theory of Rasa, " Uddipana " is the excitant or determinant which inflames sentiments or emotions, and "
  
  lambana " is that on which the sentiment hangs i . e . "
  
  lambana " is with reference to the sentiment which arises as the link between a sentiment and the cause which excites it.
• In " Rasa " process, the nature or object is said to be visibly present before the " asraya " as an excitant but the object that arouses emotions is usually imagined by the poet or dramatist; the mere presence of " vibhava " impels the configuration of " Pratibha " ( the intuitive outcome of wisdom or knowledge ) to change it in no time.
• In Indian philosophy the word, "
  
  lmbana ", refers to the objective basis of a perception or sensation; according to which philosophy " K
  
  rana " ( cause ) and all attendant emotional conditions are known as " Vibhavas " which are of two kinds  a ) "
  lambana ", the personal and human object and substratum, and b ) " Uddipana ", the excitant . "
  lambana " may further be divided into " asraya " and " visaya ", Radha is " asraya " and Krishna is " visaya "; Radha, as the devotee, experienced greater pleasure than Krishna who remained the object of her veneration . " Visaya " is the potential object of a perceptual consciousness, "
  
  lambana " is the objective basis which can even be the cause of perceptual or cognition support for a perceptual error.