glost造句

• The saggars were used for the biscuit and the glost firing.
• The splinters of Glost were spread everywhere.
• The original sun, Glost, was the work of Guerimm, the god of fire.
• This was then dipped in the glaze and returned to the kiln for the glost firing.
• The glost kilns-again they were placed in saggars, separated by kiln furniture such as stints, saddles and thimbles.
• They thus became runestones; the combination of three runestones can lead to the liberation of the energy of Glost, allowing a new magic.
• However, because the glost firing is at a higher temperature than used in overglaze decoration, the range of available colours is more limited.
• A piece is fired first, this initial firing being called the "'glost firing "', then the overglaze decoration is applied, and it is fired again.
• One of them, Arkan'Zim, destroyed Glost, and another new god, Sindayri, created a new sun, aiming to reduce the influence of the twelve gods in the hollow world.
• The cause of this defect is the evolution of water vapour, adsorbed by the porous body, during the period between the glost firing and the decorating firing, via minute cracks in the glaze.
• Examples of oxides that do not lose their colour during a glost firing are the cobalt blue made famous by Chinese Ming dynasty blue and white porcelain and the cobalt and turquoise blues, pale purple, sage green, and bole red characteristic of 0
  znik pottery.
• Maximum firing temperatures can vary significantly, from 1100 癈 to 1300 癈 depending on the biscuit firing is around 900 癈, and glost firing ( the firing used to form the glaze over the ware ) 1180 & ndash; 1280 癈 . Water absorption of stoneware products is less than 1 percent.