mongredien造句

• In 1845, he drew a match with Augustus Mongredien with ( + 3-3 ).
• "' Laurence Lanfumey-Mongredien "'is a neuroscientist specializing in preclinical research in neuroscience and molecular neuropsychopharmacology.
• Mongredien called it " a call to arms for the world's women . " " You think we re just pretty things.
• Her real name is Sue Mongredien, under which name she has authored several children's books, including books in The Sleepover Club series.
• Phil Mongredien, writing in " The Observer ", called " Replica " " an ambitious electronic song cycle " that " rewards repeated listening ".
• Leicester is the setting for the British children book series, The Sleepover Club, by authors Rose Impey, Narinder Dhami, Lorna Read, Fiona Cummings, Louis Catt, Sue Mongredien, Angie Bates, Ginny Deals, Harriet Castor and Jana Novotny Hunter.
• He lost a match to Augustus Mongredien ( + 1  3 = 2 ) at Berlin 1845, tied for 3rd-5th at D黶seldorf 1862 ( the 2nd WDSB Congress, Max Lange won ), and took 4th at Wiesbaden 1871 ( Carl G鰎ing won ).
• PopMatters Jordan Blum concluded that  " Living Things " is a very good entry that s simply not as special as its precursor . " Phil Mongredien from " The Observer " comments on their refusal to play it safe and praises their boldness.
• DVD, which received mixed reviews . " . . . It all falls rather flat, a two-dimensional sound robbing the likes of'Ocean Size'and'Ted, Just Admit It'of any sense of dynamics ", Phil Mongredien of the Q magazine wrote.
• ""'The Sleepover Club " "'is a series of children's books by authors Rose Impey, Narinder Dhami, Lorna Read, Fiona Cummings, Louis Catt, Sue Mongredien ( aka Lucy Diamond ), Angie Bates, Ginny Deals, Harriet Castor and Jana Novotny Hunter.
• Colin McGuire of PopMatters wrote that the song " is destined for Delilah and can t get enough of Matchbox Twenty . " Phil Mongredien of The Observer was negative towards its lyrics, commenting that " he's not helped by clunking and ludicrous lyrics ('We are spiralling down in gravity'bravely reimagines Newton ) ."
• Phil Mongredien of " the Observer " was more critical towards the album writing in his review that although " May [ is ] an engaging and entertaining storyteller on the more breakneck material ", her performance on the album's ballads and low-tempo tracks " are less distinguished " and " more delicate than memorable ".
• Phil Mongredien of " The Observer " stated that the album's space race theme was a " smart move ", praising the band's use of " finely judged soundscapes ", while his counterpart, Jenny Stevens, writing for the parent newspaper " The Guardian ", was less positive about the album.
• Phil Mongredien of " The Observer " gave the album three out of five stars, saying " While hardly a move into brave new musical pastures, it's not without charm and the use of a female voice puts just enough distance between this and the original, the entwining harmonies recalling Gram Parsons's duets with Emmylou Harris.
• Phil Mongredien of " The Guardian " commented that " the mood of reverie [ in the album ] is only broken by the raucous, insistent title track . " Louis Corner of Digital Spy wrote that the song was " charged with a Deep South strum line ", and " [ managed ] to encompass alternative rock-influences that makes it accessible to any countryphobe ."
• She felt that album's " simplest and most direct moments, like " Wild "'s dance-pop and " Conquer the World, " a heartfelt duet with Brandy, are among its best . " Phil Mongredien, writing for " The Guardian ", wrote that " it's by no means a bad record, although the ballads are best avoided ."
• However, when he performs unadorned, melodies dripping from his fingertips, and letting fly from the heart, his voice is difficult to forget . " Phil Mongredien, also reviewing for The Guardian, gave the album 4 stars out of 5, writing that " for the most part these piano-led songs sound unique, the lonely despair of Cornerstone and the arresting lyricism of Condolence signalling an exciting new talent ."
• Phil Mongredien of " The Observer " wrote : " The subject matter may not be as harrowing as the real-life inspiration for some of his earlier work ( most notably " Electro-Shock Blues " ), but this is still a powerful and emotionally coherent set . " Lior Phillips of Consequence of Sound was unfavorable, writing : " What " The Cautionary Tales " needs is a prudent pruning.
• Several reviewers have noted the positive and uplifting themes of the lyrics, such as " The Observer " s Phil Mongredien and Jon Clark of Drowned in Sound whose review stated that " the negativity often present in Eels records is less noticeable here; in fact the record contains many optimistic, if particularly frank and defiant, testimonials . " Michael Gallucci of The A . V . Club writes that the lyrics express E's relief after Eels'concept album trilogy.
• By contrast, Jason Heller of " The A . V . Club " perceived a lack of " joy " in the band's " garage-rock angle ", writing that they " feel like they're writing a paper on the genre rather than celebrating it in song . " Phil Mongredien of " The Observer " called the album " oddly leaden and largely witless ", and criticized the band for " flailing ever further from the pop nous that has underscored their finest moments ".