peola造句

• Peola returns to her Negro college and presumably embraces her African descent.
• Jessie and Peola have grown up side by side.
• Battle, Peola, 56, Oklahoma City.
• Peola Battle, 56, Oklahoma City.
• Peola Battle, 56, Oklahoma City
• Leaving her Negro college, Peola takes a job as a cashier in a whites only restaurant.
• Peola is painfully aware of the tension between her white appearance and black racial identity ( as imposed by society ).
• Her mother is heartbroken and takes to her bed, murmuring Peola's name and forgiving her before eventually succumbing to heartbreak.
• To care for her infant daughter and disabled father, Bea Pullman hires Delilah, an African-American mammy figure, who has an infant daughter Peola.
• To me, my parents aren't there . "-- Gwen Battle, who lost her parents, Calvin and Peola Battle, in the bombing.
• Meanwhile, Peola ( Fredi Washington ), seeking more opportunities in the segregated society, passes as white, identifying with her European ancestry and breaking Delilah's heart.
• At the time, Peola was described as a " light-skinned black "; people did not refer to the history of relations between Europeans and Africans that produced such mixed-race descendants.
• Bea sees to it that Delilah is given the funeral she wished for, and, just before the processional begins, a remorseful, crying Peola appears, begging her dead mother to forgive her.
• Their concern was the character of Peola, in whose person miscegenation was represented by this young woman considered black, but with sufficient white ancestry to pass as white and the desire to do so.
• Disturbed by her daughter's unhappiness, Delilah encourages the girl to take pride in her black " race . " Eventually, after living in Seattle for several years as a white woman, Peola severs all local ties.
• In 1934 she said the role did not reflect her off-screen life, but " If I made Peola seem real enough to merit such statements, I consider such statements compliments and makes me feel I've done my job fairly well ."
• Secondary state highway No . 3K; beginning at Pomeroy on primary state highway No . 3, thence in a southeasterly direction to Peola, thence in a northeasterly direction to a junction with primary state highway No . 3 in the vicinity west of Clarkston.
• (j ) Secondary State Highway No . 3K; beginning at Pomeroy on Primary State Highway No . 3, thence in a southeasterly direction by the most feasible route to Peola, thence in a northeasterly direction by the most feasible route to a junction with Primary State Highway No . 3 in the vicinity west of Clarkston;
• Susan Courtney says that the PCA participated in " Hollywood's ongoing desire to remake interracial desire, an historical fact, as always already having been a taboo . " In addition, she explains the quandary imagined by the censors : " the PCA reads Peola's light skin, and her passing, as signifiers of'miscegenation .'By conflating miscegenation and passing in this way, the censors effectively attempt to extend the Code's ban on desire across black and white racial boundaries to include a ban on identification across those boundaries as well ."