quodlibet造句

• The work itself is a loosely structured quodlibet for SATB and continuo.
• Many Masters chose not to engage in the Quodlibets.
• Strict versus material implication, ex falso quodlibet & c
• His polemics used a combination of quodlibets and sermons.
• Item carrus plumbi constat ex triginta fotmallis & quodlibet fotmal continet sex petras duabus libris minus.
• The last variation of that ballet was danced to the quodlibet that Bach based on popular tunes.
• In this case one must also add as a primitive rule " ex falso quodlibet ".
• The final variation, instead of being the expected canon in the tenth, is a quodlibet, discussed below.
• A huge circle with heel and toe work recalls the quodlibet just before Ms . Whelan and Boal join the ensemble.
• Pe馻losa wrote ensalada ( a form of quodlibet ) " Por las sierras de Madrid " for six voices.
• Among the tongue-twisting challenges that he spelled on the way to victory were propaedeutic, ditokous, eudaemonic and quodlibet.
• This is called the " principle of explosion " or " ex falso quodlibet " ( " from falsity, whatever you like " ).
• Each variation is titled by various musical forms, such as Faburden, Canto Carnascialescho, Freistimmigkeit, Menuet, Gigue, Sarabande, and Quodlibet.
• The instrument also gave the folklike strains running throughout the work and culminating in the " Quodlibet " the unfortunate character of a militant chorale.
• Questions to be disputed were ordinarily announced beforehand, but students could propose a question to the teacher unannounced  " disputationes de quodlibet ".
• However, the principle of explosion ( " ex falso quodlibet " ) has been accepted in some varieties of constructive mathematics, including intuitionism.
• The most significant of Godfrey's writings are transcriptions of Quodlibets, for which he participated in fifteen of during his tenure at the University of Paris.
• With Aquinas, he was one of the developers of the " quodlibet " genre of open philosophical discussion, flourishing for about a century from his time.
• A quodlibet with all the main themes in counterpoint leads to a coda in which groups of horn calls are answered by electronic responses from another part of the forest.
• They vary widely in character, from extremely simple settings of a " cantus firmus " to contrapuntal tours-de-force such as elaborate canons and quodlibets.