readerly造句

• Once again, it breaks readerly assumptions and even is reported to contradict Jesus'intention.
• Olsen and Guthrie thereby transformed the original text from a primarily temporal to a spatial readerly experience.
• The distinction corresponds to a further distinction Barthes makes between " readerly " and " writerly " texts.
• The Pleasure of the Text talks about " readerly " and " writerly " texts, essentially meaning readable and writable.
• The pleasure of the text corresponds to the readerly text, which does not challenge the reader's position as a subject.
• In any case, the digressions are each readerly tests; each tests whether or not the reader is intelligent and sceptical enough to detect nonsense.
• Recently he gave a lecture-demonstration at the New York Public Library in which he defended hypertext as a more flexible discipline that increased readerly curiosity.
• Yes, Hanson and Heath have created the equivalent of a Classical water slide : Get in on one end and slide through with a readerly swoosh.
• "Although I never felt comfortable ( in a readerly way ) with Hemingway's novels I did recognize flashing power and beauty in much of the writing.
• Use of form, poetic device, economy and choice of language, blurring of fancy and fiction  all are employed with intelligence and readerly insight . "
• As it happens, Berlin was a master of panegyric, a talent shown to excellent effect in " Personal Impressions " ( 1981 ), the most readerly of his books.
• While the book is essential, pathbreaking reading for anyone interested in Soviet espionage, it is a trove of data and direct quotation from KGB files, and not a fluid, readerly text.
• The " Anatomy " concludes with an extensive index ( which, many years later, " The New York Times Book Review " called " a readerly pleasure in itself " ).
• The reader of a readerly text is largely passive, whereas the person who engages with a writerly text has to make an active effort, and even to re-enact the actions of the writer himself.
• And I wanted to know what happened to the people in the story _ that's what drives my readerly interest . . . . I was stunned when ` The Horse Whisperer'set advance records ."
• This tension can help introduce readers to " readerly " and " writerly " interpretations, to tenets of New Criticism, and critical tools from Freudian analysis, such as sublimation, in approaching literary works.
• Barthes argues that " writerly " texts are more important than " readerly " ones because he sees the text's unity as forever being re-established by its composition, the codes that form and constantly slide around within the text.
• The distinction corresponds to a further distinction Barthes makes between " texte lisible " and " texte scriptible ", translated respectively as " readerly " and " writerly " texts ( a more literal translation would be " readable " and " writable " texts ) . " Scriptible " is a neologism in French.
• The article also argues that writing these sorts of " readerly " performance texts is essentially an act of subversion whereby ( screen ) writers work in a performance mode only to intentionally bypass production and, thereby, ( re ) assert narrative representation's textual primacy and ( re ) claim a direct ( re ) connection with their audience.
• The concept of the "'open text "'comes from Umberto Eco's collection of essays " The Role of the Reader ", but it is also derivative of Roland Barthes's distinction between'readerly'( lisible ) and'writerly'( scriptible ) texts as set out in his 1968 essay, " The Death of the Author ".