secondary accent造句

• For example, the rhythm of the dance kopanitsa is often described as quick-quick-slow-quick-quick, ( 2 + 2 + 3 + 2 + 2 ) whereas the tune may be played in what may be written as ( 2 + 2 ) + ( 2 + 1 ) + ( 2 + 2 ), i . e ., an 11 time with primary accent at 1, secondary accents at 5 and 8, and ternary accents at 3, 7, and 10; the dancers thus dance to a meter composition 4 + 3 + 2 + 2, which may also be played by the musicians, e . g ., in Traichovo horo ( "  @ 09G > 2 >  E >  @  >  ).