sexecology造句

• Sexecology conceives of the earth not as a mother, but as a lover.
• Sexecology was influenced by contemporary theories around posthumanism and the relationships between humans and nonhumans.
• Apart from environmental activism, sexecology employs absurdist humor, performance art and sex-positivity as aesthetic and theoretical strategies.
• Sexecology uses " ideas from different regions such as India and their idea of seven chakras to get closer to the earth.
• Sexecology seeks to make environment activism " more sexy, fun and diverse " and to involve the LGBTQ community in environmental activism.
• Also the idea of Sexecology " grew from the need to protect the resources of the earth and the need to save it ."
• The aesthetic strategies of sexecology are influenced by Joseph Beuys'concept of social sculpture which sees art as having the potential to transform society.
• Sexecology seeks to direct attention towards  the ways in which sex and sexuality affect the larger nonhuman world .  Ecosexuality is an orientation directed toward the non-human material world.
• "' Sexecology "'( also "'ecosexuality "') is a term coined by performance artist, activist and professor Elizabeth Stephens and sex-educator and performance artist Annie Sprinkle.
• With this direction, ecosexuality makes a bold statement that  these human bodies are part of the nonhuman material world .  The blur between human and non-human entities is essential to Sprinkles and Stephens demonstration of sexecology.
• Unlike ecofeminism however, sexecology does not see an intrinsic link between women and nature; some of the limitations of ecofeminism which sex ecology indirectly addresses are " the reliance on women's biological functions to establish a connection between women and nature, the uncritical over-privileging of women's experiences, the inappropriateness of designating ideal female characteristics, and the regressive political implications of associating women with nature " " The formulation of an Eco-Sexual identity is a practice of an erotic eco-logic, deconstructing heteronormative constructions of gender, sex, sexuality, and nature in order to continually queer and destabilize identities, actively form and retain spaces of lack that necessitate interdependency, and engage a permeable sensuous self in perpetual sensorial reciprocity with the sensing and sensible more-than-human environment.