shoowa造句

• An early example of Shoowa textiles is the Ceremonial Panel.
• This piece is a classic model of quality for a mid-century Shoowa cloth.
• The pattern of two wide columns of interlacing is a long-standing favorite Shoowa theme.
• The basic weave is typical for Shoowa with close warps and weft of similar thickness and even distribution.
• The colorful dots ( diamonds, rectangles, triangles ) belong to the familiar tiny tunjoko designs seen in many Shoowa cloths.
• In spite of maintaining a different language and loose political ties, the Shoowa share many cultural practices with the peoples of the Bushoong kingdom.
• Unlike the Bushoong, the Shoowa typically, as here, dye the foundation cloth red before embroidery and execute their designs in natural beige and dark brown.
• One form, called " babande ", is practiced in many Ngeende, Ngongo, Mbeengi, Bokila, Shoowa and Bushoong villages in the central and northern Kuba region.
• The manner in which the broad columnar outlines are formed by multiple dark and light rows of stem stitching, interspersed with tiny light and dark plush motifs, called tunjoko, is another characteristic of Shoowa style.
• The Shoowa people, a small population on the northwestern fringe of the Bushoong kingdom, Congo, have created visually delightful and colorful " ceremonial panels " that combine tradition and innovation in a complex artistic fashion.
• A second example of the Ceremonial Panel from the Shoowa people, made of woven raffia palm fiber, cut pile and linear embroidery, dating from 1910 1930, is 23 " ?24 " ( 58.2 ?59.69 cm ) in size.
• A third example of the Ceremonial Panel from the Shoowa people, also made of woven raffia palm fiber, cut-pile and linear embroidery, dating from 1950 1975, is 24 " ?24 1 / 4 " ( 60.96 cm . ?6l . 28 cm . ) in size.