sweary造句

• This album also contained " Say Hello Mr . Sweary ", an example of the routine that provided the lyrical concept for " Part IV " of "'Ullo John!
• The duo began writing the songs for the album in 2009 and some of the songs from " Have yourself a sweary little Christmas " were played in live performances by the band throughout this year.
• :: : Having a sweary parrot can be a problem if you ever need to re-home her ( due to illness, work, having kids, moving to a smaller place, etc ).
• The first track is notable for containing a sweary sample and still being released as a single; BBC Radio's attempt at censoring the track resulted in the last minute or two of the song being almost one long silence.
• In a television interview with BBC Breakfast, Love noted that the main themes of " You Know My Name " were fame and notoriety, referring to it as " a really simple, sweary, fast in-your-face song " about her public reputation.
• They all seem to follow the same cometary trajectory, zooming through pages sprinkling sweary words like pottymouthed Tinkerbells, and then ( after ten to twenty changes ) they realise that they're bored and not getting into the fight they wanted to, and they zoom off into permanent obscurity.
• At Sweary's birthday party, Robert Bob notices that this Mary is wearing few things which are same as the things he had sent to the girl in the orphanage but does not read too much into this as Sweary's friend Mary had told them her parents are in Dubai.
• At Sweary's birthday party, Robert Bob notices that this Mary is wearing few things which are same as the things he had sent to the girl in the orphanage but does not read too much into this as Sweary's friend Mary had told them her parents are in Dubai.
• :' Bastard'and'bitch'are both insulting and sweary terms when used in certain contexts ('I can't get this bastard door to open !'), and are neither religious, scatalogical nor sex-related . type 12 : 13, 30 November 2006 ( UTC)
• On a basic level, the director's astonishingly sweary rant was amusing, particularly as Morris had announced earlier that C4 had told them to tone down the bad language . [ . . . ] But even more fascinating was Morris and Pope discussing whether there'd be another series with some C4 executives.
• Think the complete opposite to Ed Sheeran's'The A Team'with a nod to " The Fresh Prince of Bel-Air " . " A reporter from " The Independent " quipped that Stooshe employ " jokey raps and a genuinely soulful chorus " to tell the sweary, " Lily Allen-esque tale " of a working class single mother.
• "Part IV " of the song, included on the UK 12-inch, differs significantly from the other three versions lyrically, featuring a sustained onslaught of high-speed profanity and faux-coprolalia, which was adapted from the " Mr . Sweary " routine then current in Sayle's live parodies of some of the lyrics and monologues featured in the other versions of the song.
• Were it not for the sweary-words and a few double entendres, it would be pitched firmly as family entertainment and has clearly been commissioned to try to cash in on the unexpected success of " Mrs Brown's Boys " . " The " Irish Independent " said : " This was unabashed slapstick stuff and none the worse for that, but Byrne, who created and scripted the show, had no other ideas up his sleeve and within minutes the action had degenerated into a succession of increasingly frantic pratfalls and custard-pie gags, each of them less amusing than the one that had gone before ."
• Slant Magazine's Yorgo Douramacos called the album " fairly strong ", but felt that the songs " sound like only slightly altered versions of previous entries in the Green Day catalogue . " In a negative review, Andy Gill of " The Independent " panned " Green Day's devotion to the most basic of rock formats " and called the music " patronising corporate rock masquerading, in sweary adolescent anthems as somehow anti-establishment . " Randall Roberts of the " Los Angeles Times " asserted that the album was too " typical " and " commercial " to be a punk album, writing that it " feels like the work of a band that has painted itself into an aesthetic corner . " Paul Mardles of " The Observer " criticized the album as " largely throwaway, its frenzied, phlegm-flecked songs littered with sentiments . . . that sound daft coming from a 40-year-old frontman . " Greg Kot of the " Chicago Tribune " was ambivalent towards its " back-to-basics " approach and perceived a lack of " memorable lyric [ s ] ".