vampiri造句

• Vampiri's sound was influenced by the 1950s doo-wop and rockabilly.
• Album featured members of Vampiri on backing vocals.
• "I Vampiri " was released uncut for the first time on DVD in the United States in 2001 by Image Entertainment.
• Between 1989 and 1994, while a student in Belgrade, Pavlovi
  was a founder member of doo-wop band " Vampiri ".
• His close associate Dua
  an Pavlovi
  also comes from 1980s Yugoslav pop culture, as a former member of the Belgrade-based band " Vampiri ".
• In 1993, he appeared as the author of the Vampiri song " Be-Be ", which appeared on the " Mi nismo an
  eli " soundtrack.
• This exposure led to similar roles in other movies of the same genre such as " `
  pijun na a
  tiklama " and " Vampiri su me
  u nama ".
• The new lineup, beside Pejovi
  , Petrov and Mili
  , featured former Prljavi Inspektor Bla ~
  a i Kljunovi and Karizma and Vampiri member Dejan Tomovi
  " Tomke " ( keyboard ) and Nenad 
  or
  evi
  ( drums ).
• He never finished either of the two horror films he was assigned in the 1950s ( " I Vampiri " and " Caltiki " ), but rather allowed his cinematographer Mario Bava to complete them.
• Freda followed up his tape with the promise that his script could pass the censors and could be filmed in 12 days . This convinced the producer who allowed Freda to create what became " I Vampiri ".
• As he felt that " I Vampiri " was unpopular in Italy due to the Italian audience feeling that Italians could not make high quality genre films, the cast is credited under English-language aliases in the films promotion and credits.
• "I Vampiri " was the first Italian horror film of the sound era, following the lone silent horror film " Dracula " ( 1958 ) was released in Italy that a " hailstorm of vampire movies flooded the screens ".
• Part of the material was used on the Familija debut album " Narodno pozoria
  te ", featuring Vasiljevi
  and Luki
  and Vampiri members Dejan " Peja " Pejovi
  , Dejan " Dexi " Petrovi
  and Goran " Ged ~
  a " Red ~
  epi.
• The rockabilly group Fantomi was another act in Croatia, while in Serbia the group called Vampiri emerged with their trademark doo-wop style of singing and performed as a support act of the internationally acclaimed retro jazzy pop group Vaya Con Dios at their concert in Belgrade.
• Canale however was not used to living in South America and they came back to Italy, where, often directed by her husband, she starred in many sword and sandal films, as well as Italian horror and adventure films . " I vampiri " was her last film with Freda.
• As guests on the album appeared actress Ana Sofrenovi
  who did vocals on the track " Lock Lommond ", Vampiri vocalist Aleksandar Erakovi
  did backing vocals, Sto
  ari member Branko Vitas played banjo, Pachamama member Miljan Mihalj
  i
  played the traditional instruments and Renesansa member }
  or ~
  Gruji
  played Serbian bagpipes.
• They are available from all major internet retailers and the first three can also be found in Italian ( originally published by Gargoyle Books in Rome which since the death of the editor Paolo de Crescenzo in 2013 has closed its doors ) under the titles " Le Memorie di Jack lo Squartatore ", " I vampiri di Ciudad Juarez " and " I vampiri dell'11 settembre ".
• They are available from all major internet retailers and the first three can also be found in Italian ( originally published by Gargoyle Books in Rome which since the death of the editor Paolo de Crescenzo in 2013 has closed its doors ) under the titles " Le Memorie di Jack lo Squartatore ", " I vampiri di Ciudad Juarez " and " I vampiri dell'11 settembre ".
• In their retrospective review, AllMovie wrote " While " I Vampiri " is more important for its place in history than for it ultimate effectiveness as a film, it is nevertheless an entertaining horror flick . " Danny Shipka, who discussed this film in his book on European exploitation films, noted that the film " set the standard for visual style that would be the foundation for most Italian Gothic films of this nature . " He also described the film as " a little ponderous and talky " while praising Canale's transformation scenes and the " masterful filming of cobwebs, creaking doors, and decay, along with great lighting ".