zambinella造句

• Sarrasine becomes increasingly convinced that Zambinella is the ideal woman.
• When Sarrasine arrives, Zambinella is dressed as a man.
• Sarrasine is convinced that La Zambinella is the ideal woman.
• Sarrasine refuses to believe the cardinal and leaves the party, seizing Zambinella.
• The novella doesn t romanticize the relationship between Zambinella and Sarrasine, either.
• After spending time with her at a party, Sarrasine attempts to seduce Zambinella.
• Once they are at his studio, Zambinella confirms that she is a castrato.
• La Zambinella is in fact a castrato.
• Sarrasine is about to kill Zambinella as a group of the cardinal s men barge in and stab Sarrasine.
• When he learns that Zambinella is a castrato, he tries to kill Zambinella and is himself killed instead.
• When he learns that Zambinella is a castrato, he tries to kill Zambinella and is himself killed instead.
• Sarrasine speaks to a cardinal, who is Zambinella s patron, and is told that Zambinella is a castrato.
• The narrator then reveals that the old man around the household is Zambinella, Marianina's maternal great uncle.
• "' Zambinella "'- A star of the Roman opera and the object of Sarrasine s affection.
• For example, as a member of the castrato Zambinella can be praised, adored, or treated as if he doesn t belong.
• Sarrasine becomes a talented young man and, after one of his sculptures wins a competition, he heads to Rome where he sees a theatre performance featuring Zambinella.
• He is generally more interested in art than in women, but on a trip to Italy falls in love with the opera star, La Zambinella, who serves as the model for his most perfect statue.
• The literary analysis of moira of Herg?s own white mythology, his anaemic destiny : to become Sarrasine to Tintin's la Zambinella . " Belgian journalist Pol Vandromme also compared Herg?to Balzac in " Le Monde de Tintin ", published in 1959 . } } McCarthy suggested the " icy, white expanses of Herg?s nightmares [ may ] really have their analogue in his own hero ", especially as " Tintin represents an unattainable goal of goodness, cleanness, authenticity ."