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惠介的英文

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"惠介"怎么读用"惠介"造句

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  • keisuke

例句与用法

  • " a tribute to kinoshita keisuke " film code ends with x or
    木下惠介回顾展(影片编号以x结尾)
  • Group b hk 40 for " a tribute to kinoshita keisuke " and
    B类门票木下惠介回顾展及平日日场港币40
  • " a tribute to kinoshita keisuke " film code ending with x
    木下惠介回顾展场次门票(影片编号以x结尾)
  • " a tribute to kinoshita keisuke " film code ends with x and weekday matinee screenings film code ends with d
    木下惠介回顾展(影片编号以x结尾)及平日日场(影片编号以d结尾)
  • But kinoshita ? s legacy is beyond sheer populist crowd - pleasing . he pioneered revolutionary techniques , including 1951 ? s
    木下惠介为日本战后电影黄金时代健将,松竹其下大师。
  • 10 tickets or more of " a tribute to kinoshita keisuke " film code ends with " x " and " weekday matinee screenings " film code ends with " d " for details please refer to p . 65
    木下惠介回顾展(影片编号以x结尾)及平日日场(影片编号以d结尾) (详见第65页)
  • In the rein of ozu yasujiro and kinoshita keisuke , two of his precursors at the shochiku studio , yamada yoji has been particularly keen on portraying the lives of japanese families
    与小津安二郎、木下惠介同属松竹片厂的山田,跟两位前辈大师一样,对日本家庭的描写最感兴趣。
  • Though known as the first ever japanese film in colour , kinoshita actually simultaneously shot a black white version of the film as well , just in case there were problems with the colourisation process which unfortunately did come to pass with the sequel
    木下惠介回顾展选映的十八部电影中,最难得一见的是这部黑白版的《卡门还乡》 。
  • No other filmmaker , not even mizoguchi or ozu , was more adored within his home country than kinoshita keisuke 1912 - 1998 . in prolific works that run a gamut of genres , he had a knack for drawing the most tears and provoking the most laughter
    木下惠介作品每多肯定人性正直勇敢的一面,讽刺丑恶却不事渲染,看其电影,每令人惊叹其技法高超之馀,情感受到洗涤,回复对生命的希望。
  • 更多例句:  1  2
用"惠介"造句  
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