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笔之的英文

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"笔之"怎么读用"笔之"造句

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  • fudeyuki

例句与用法

  • This is a trading company specialized in pen with its one thirty pen manufacturer from the hometown of pen in china
    本公司是中国制笔之乡近三十家制笔企业的核心之一。
  • The dou wei that the company is located at lukewarm city china to make a pen 3 , it is wu of kimono of market scientific research , development , production , sale the modern industry that is an organic whole
    公司坐落于温州中国制笔之都纬三路,是集科研、开发、生产、销售和服务为一体的现代化企业。
  • Basically chinese calligraphy and chinese painting come from the same source , using brush and ink . when holding the brush , it is not necessary to hold it tightly or firmly . it can be hanging in the palm , moved by the fingers , following the heart s desire , and flowing according to your thoughts
    简括而言,书画同源,写字作画,全出一功,笔之在手,不必紧执,不用固握,可以悬在掌中,运在指间,任心之跃,随意之动,笔端之转柔勒畅,墨韵之浓淡焦润
  • Yi ye of gentlemen point out clumsy gentle dredgings . actually this thing , the beginning starting writing or painting , did not originally come to do an article seriously , but it read and " last nationalism " for huang zhong of mr . ses on " the realms of thoughts " s ( those really pieces of good article , zhus juns read ) , some impressionses , strike and come down right away
    其实这篇东西,在下笔之初,本就不是认真地当一篇文章来做的,而是在“思想的境界”上读到黄钟先生的《告别民族主义》 (那才真正是一篇好文章,诸君不妨一读) ,有了些感想,就敲下来。
  • Yi ye of gentlemen point out clumsy gentle dredgings . actually this thing , the beginning starting writing or painting , did not originally come to do an article seriously , but it read and " last nationalism " for huang zhong of mr . ses on " the realms of thoughts " s those really pieces of good article , zhus juns read , some impressionses , strike and come down right away
    其实这篇东西,在下笔之初,本就不是认真地当一篇文章来做的,而是在“思想的境界”上读到黄钟先生的告别民族主义那才真正是一篇好文章,诸君不妨一读,有了些感想,就敲下来。
  • In the history of chinese writing , it was particularly in jiagu wen and zhongding wen that his training was focused on , and it was from these roots that huang yao would later demonstrate his skills in a range of calligraphic styles , from zhongding wen to kai shu and cao shu , and his own clumsy ancient style of writing
    .家藏历代名画,临摹功底深厚,自米颠,倪迂着手,故其画用笔之收纵,足臻得心应手之妙,继而潜心于梁楷青藤老莲八大,故其画能山水人物之趣于一炉。
用"笔之"造句  
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