bourns中文是什么意思

• 伯恩斯

• bourn    n. 1.〔古语〕境界，界限。 2.〔诗〕目的地；目的。 ...
• bourns gmbh    伯恩斯公司
• bourns inc    伯恩斯公司
• bourns networks    桔黄色 b
• bourns instruments inc    伯恩斯仪器公司
• bourns electronics caddock welwyn epcos    德国爱科
• bournoville    布诺维尔
• bournous    阿拉伯式斗篷
• bournot    布尔诺
• bournos    武尔诺斯
• bournonville    布农维尔

• In the process of nature aesthetic education , three are three functional bourns : to please oneself , to get civilized by affection , to digest philosophy
  摘要在自然美育过程中，自然美育存在着悦乐忘身、爱心泛化、哲理领悟等三个层次的功能境界。
• So he , both in the chinese medicine and literature circles , delivers the feeling of universe and earth ' s change and also seeks for the bourn of philosophical thought and poetics
  他在中医与文学的两个世界里倾诉着大气和沧桑的感慨，追求着哲思和诗情的境界。
• Culture is a faith , a penetration , a bourn , a heritage , a piece of matting , a keen sword , a clarion , a banner , a resource and a landscape
  摘要文化是一种理念，是一种渗透，是一种境界，是一种传承，是一种铺垫，是一把利剑，是一把号角，是一面旗帜，是一种资源，是一道风景线。
• This article tries to discuss the functional aesthetics , content aesthetics as well as the style aesthetics of the journal catalogue so as to set forth how to reach those bourns through the aesthetics laws and art means
  摘要论述学报目次的功能美、内容美和形式美，阐述实现学报目次的功能美、内容美和形式美的美学方法则和艺术手段。
• It means going back the origin of traditional culture and finds its new meaning . it is the appearance of personal perfect humanity either . it is a kind of bourn of realizing oneself which modern people should pursue
  现代人对慎独思想的解读是对传统文化的返本开新,对慎独的持守意味着个人完美个性的彰显,对慎独的追求意味着现代人对自我实现的境界追求。
• Though the sub - religious death trial stories of classical confucianism study in initial stages of han dynasty originated from classical confucianism study before qin dynasty and religious death trial story in legends of taoism carried the tradition of taoism , they all took the form of story to show that death trial is an important step to reach ideal bourn
  摘要汉初经学中的亚宗教生死考验故事与道教传记中的宗教生死考验故事分别源于先秦儒家、道家的思想传统，都以故事的形式传达出通过生死考验是达到理想境界的重要环节。
• Besides cultivating the ability of students " beauty - appreciation of poems , more importantly , it makes the students easily go into the image of the poems and it can establish a relation between beauty - appreciation object ( poems ) and beauty - appreciation subject ( students ) and create a channel of beauty - appreciation for students so as to sublime their spirit bourn and optimize their humanism quality . in this way , the purpose of beauty - appreciation in chinese would achieve
  诗歌教育除了培养学生对诗歌语言的审美能力外，更重要的在于使学生能顺利地进入诗歌的意象，在审美客体(诗歌)和审美主体(学生)之间建立一种审美联系，给学生开辟一条审美通道，进一步升华其精神境界，优化其人文品质，从而更好地实现语文美育的目的。
• On a certain extent , process of human intellective development is a especial “ battle ” to knowing finity calligraphy , it is continually hard to over limited bourn , at the same time , gain infinite knowledge . . but when research calligraphy in practice , we never find out straight
  在一定程度上，人类知识的发展过程也就是同认识书法的有限性的特殊的“斗争” ，就是越过有限的界限并获得关于无限的知识的不断努力，而在对书法实践中既有的书法进行经验的研究时，无限是难于直接发现的。
• In the chapter that analyzes designing principle the author set up a new idea that the pursuit of " artistic bourn " , and especially profoundly analyzes the method of orientation of products and influences on the consumers by time transformation ; in the chapter that analyzes space the author advances the unit space of furniture exhibition space is incline to " architecture " , puts forward new method of furniture display space design of exhibitions - " theme design " and expatiates how to construct space through allocation , order , aesthetic feeling , psychology of space and other aspects ; in the chapter that analyzes furnishings the author elevates it station in furniture display space design of e xhibitions , which are attempts on display design business
  诸如在基本原则章节中，树立追求展示设计最高境界? ?意境美的理念，并深入地分析如何进行产品定位和时代变化对消费者意识形态的影响；在空间营造章节中提出家具展览中单位空间趋向“建筑化”的观点，提出展示空间设计的新方法? ? “主题设计法” ，并从空间配置、秩序、美感、心理等几个方面阐述如何营造空间；在陈设引入章节中提升了陈设在家具展示设计中的地位，这些尽是设计实务上的一种尝试。
• Who would fardels bear , to grunt and sweat under a weary life , but that the dread of something after death , the undiscover ' d country from whose bourn no traveler returns , puzzles the will and makes us rather bear those ills we have than fly to others that we know not of
  谁愿意负着这样的重担，在烦劳的生命的压迫下呻吟流汗，倘不是因为惧怕不可知的死后，惧怕那从来不曾有一个旅人回来过的神秘之国，是它迷惑了我们的意志，使我们宁愿忍受目前的磨折，不敢向我们所不知道的痛苦飞去？